pottery - Page 7 of 7 - Peter Arscott

Posts

Art Nouveau, hospital hygiene and ceramic spotlessness

May 17th, 2015/0 Comments/in Blog, ceramic art, design /by Peter Arscott

hospital corridor or ceramic glory

It was not because of excessive drinking and dining that belatrova paid a visit to a hospital only a few blocks from Gaudi’s famous Sagrada Familia cathedral, but as a result of our unquenchable thirst for cultural knowledge and beauty. It is yet another surprise on offer in the city of Barcelona that a masterpiece of Catalan Art Nouveau, built between 1902 and 1930, happens to have played a significant part in the evolution of medicine as well becoming a World Heritage Site.

[one_third]

ribbed ceramic ceiling

[/one_third]
[one_third]

looking up from the patient’s trolley

[/one_third]
[one_third_last]

main lobby entrance

[/one_third_last]

The Hospital de la Santa Creu i Sant Pau was founded in 1401 with the merging of six hospitals. Santa Creu, the Hospital of the Holy Cross, was right in the centre of the city but by the late nineteenth century, due to the rapid growth of Barcelona’s population and rapid advances in medicine, it became too small and thanks to the bequest of the Catalan banker Pau Gil, the first stone of the new hospital, designed by Lluís Domènech i Montaner, was laid on 15 January 1902. In 2009 it moved to new premises built in the north-east of the precinct and the Art Nouveau site was reopened to the public, after refurbishment, in 2014.

ceramic roofs of pavilion at Sant Pau

This city within a city contains twenty seven pavilions, each one assigned a specific medical speciality and linked to the others by means of underground galleries and tunnels. Muntaner assigned an area of 145 m to each patient, including the landscaped grounds.

restful motif

What grabbed belatrova’s attention was the care taken in choosing the materials in order to create the best natural surroundings for the patients, primarily ceramics with which to clad domes, roofs, ventilation shafts, the decorative pieces and walls inside and outside the pavilions. Inside, the ceramics serve a hygienic purpose, tiles make disinfection easier, and also function as a therapeutic element. The colours of the many motifs used in the panels and mosaics combine harmoniously and convey a feeling of quiet tranquillity.

ceramic-clad tunnel link

Thanks also to the extremely high thermal stability of ceramics, which belatrovians know can be fired at a temperature of approximately 1280°C, this results in extremely solid products; and the hygienically smooth surface glaze is wear and scratch-resistant and is thus resilient to the abrasive cleaning agents that are frequently used in the sanitary facilities of public areas. Even concentrated hydrochloric acid fails to leave a mark on ceramic, but please do not try that at home.

[one_third]

the garden in Sant Pau

[/one_third]
[one_third]

Sagrada Familia from Sant Pau

[/one_third]
[one_third_last]

clock tower and facade

[/one_third_last]

Ceramic is even resistant to extreme temperatures, both hot and cold, which is why we at belatrova use it for our birdbaths so that, combined with a resilient oak plinth, they can withstand British winters or Mediterranean summers.

resilient but beautiful

Resistant to extreme temperatures, water resistant, easy to keep clean, colourful, ceramic tiles are perfect for outdoor tables.

detail of belatrova outdoor tiled table.

To reinforce our message that belatrova products are safe, hygienic, tough and practical here is a picture of a large coiled platter with some gilt headed bream about to be prepared for belatrova’s signature dish: “Besugo al horno con patatas “. Click on the left and you will be taken to a video recipe – and you can practice your Spanish at the same time.

Hasta Luego.

bream

three legs good

March 23rd, 2015/1 Comment/in Blog, bowl, ceramic art /by Peter Arscott

belatrova’s Manhattan three legged bowl

An early morning run or walk can be a way to set oneself up for the day – you are out there with the dawn chorus, a hint of Spring in the air, plans assembling themselves in your mind for the day ahead, perhaps a squirrel just out of hibernation crosses your path, you breathe in the clean air of a new day, and then, an unfamiliar experience, the earth beneath your feet is right in front of your face, greeting you painfully on the nose. You have fallen over. Looking around to make sure nobody has witnessed your collapse, you pick yourself up and limp home with whatever dignity you can muster.

bipedalism

“Human walking is a unique activity during which the body, step by step, teeters on the edge of catastrophe.” —paleoanthropologist John Napier

Just how do we two-legged creatures manage to stay upright while in motion, or even when standing still? How can we possibly keep our balance on those flippers we call feet? Come to think of it, we are rather top heavy too, so why are we not keeling over all the time? Apparently it is all to do with voluntary and reflexive, neural, muscular, and skeletal systems collectively coordinating so as to allow us to walk without a second thought. But we shall not go into that; we simply bring it up because it leads us to an important belatrovian issue that we propose to resolve here and now.

quadrupedal thing

Within the tightly knit belatrova team, harmony always prevails. No matter what the weather outside, or the music being played, or the occasional badly made cup of coffee, we all beaver away happily and get along. Tea breaks are relaxing opportunities for discussions on topics that range from underwater basket weaving to why on earth men have nipples, from the benefits of taxation in a functioning society to the lingering suspicion that chocolate may actually not be bad for one. Important subjects for debate, we agree.

However, there is one issue that consistently divides the team into two camps: the tripedalists and the quadrupedalists. Dear belatrovians, are three legs better than four? With the spirit of conflict resolution guiding us towards a hoped-for conclusion, research was undertaken and the results are the following:

Try this at home. With your hand slightly cupped, point your thumb, index finger, and middle finger upwards and then place a flat piece of card or paper on top of them. The card will lie on all three points. Now stick a fourth finger into this experiment (perhaps somebody else’s) to add another contact point. It is now a little harder to exactly fit the paper on the plane.

Conclusion – the triangle formed by the three fingertips is stable because no matter where any of the three points of the triangle lie, they will always define a plane. So, a three-legged stool is guaranteed not to wobble, because the ends of its legs always form a plane. Thus a camera tripod; no matter which height each leg is, you will get no wobble. Even on an uneven floor.

It’s much more challenging to make a four legged table whose fourth point of contact is in the same plane as the first three points. Any point that is added to that plane will make it harder for the plane to be stable. On some uneven floors it may be quite impossible for a four legged table to be stable if it gets moved about. Five or six legs would be even worse.

a perfectly balanced four legged table by belatrova

Quadrupedalistas, graciously accepting this explanation (despite some sarcastic mutterings about making three legged tables, birdbaths and lamps), have come around to the wisdom and logic of belatrova’s decision to make three legged bowls. Place one on any surface and your olives, peanuts or cheese puffs will not roll off due to wobble. What is more, the bowls carry a certain elegance that is a touch retro – 1950s perhaps?

three legged bowl

And talking of retro, MoseyHome are a new London outlet, and they are showing belatrova’s three legged bowls. Pay them a visit if you are in the area. You can also visit our “three legged” Pinterest board.

stability on legs

As for our monopods, our beautiful birdbaths, lamps and slab pots, they will be appearing in the next few months in Country Living and Garden Illustrated.

With only a month to go, we would like to remind you that we are opening the workshop to the public on the weekend of 25th and 26th April. You are most welcome to visit, and try your hand at making a tripedal bowl. We’ll be there with five other makers for this Open Spring Weekend:

Spring Open Studios

belatrova in Iberia

August 29th, 2014/1 Comment/in art, art ceramics, Blog, ceramic art, painting, pots /by Peter Arscott

A piece of Britain on the horizon

belatrova, musing by a pool in the heat of Sotogrande, with a distant view of the Rock of Gibraltar, discovered that Andalusia has some of the hottest areas in Europe, sometimes averaging above 36 C in summer, with daytime highs of over 40 C. This explains the landscape of Holly and Cork Oak and the Pinsapo Fir trees that do well here, as do the olive trees that are grown all over the area.

Andalusia certainly knows its olives: Manzanilla, Arbequina, Empeltre, Sevillano, Picual, Hojiblanca, Picolimon, Verdial are just some of the estimated 260 different varieties of olive in Spain, which, as we all know, always look their best when offered to guests in a belatrova bowl.

the only way to eat olives

But we digress. After being controlled by Carthaginians, Romans, Vandals and Visigoths, for half a millennium “Al-Andalus” was part of a Muslim caliphate, from the moment in 711 a Berber called Tariq ibn Ziyad landed his troops on the coast at a place that would become “Jabel alTariq” (the mountain of Tariq), now pronounced “Gibraltar”. Then came the Catholic Kings, and so on, until Spain became a member of the European Community. How about that for a quick outline of Spanish history?

Malaga port

Before arriving in Sotogrande belatrova had spent a short time in Malaga, port city of misty mornings and birthplace of the greatest artists of the 20th Century*, and paid a visit to the Museo Picasso de Malaga to have a peek at the great man’s ceramics and paintings on display. A small but fine collection that will satisfy anyone interested in art and ceramics.

Insect – ceramic figure at Museo Picasso en Malaga

After 90 minutes of leaving Malaga and driving south belatrova suddenly saw the strange presence of the large rock that is part of Britain. It is surprising that there is this tiny enclave with red telephone boxes, bobbies and pubs in the southernmost tip of Spain. But we stayed in Sotogrande and enjoyed the calm of this beautiful location.

belatrova by the pool in Sotogrande

…on the veranda

…meditating

Next stop was a few days near Ronda in a small town called Arriate. Early in the mornings, before the sun clears the horizon and bakes everything in its path, a quick walk into Arriate will reward you with a breakfast of “Churros con chocolate” before returning and finding a shady area in the house or by the pool. belatrovians have already met Thelonius the Pugmill (blog November 2013).

Thelonius Pugmill in action

Though it may upset Thelonius, the churro-making machine is basically the same idea. Stuff goes in one end and is squeezed out the other, though in the former’s case it cannot be eaten with chocolate:

churro-making machine

churro extruded

churro ready

churros con chocolate

abandoned pottery in Arriate with stork’s nest on the top, seen when wandering into the village for breakfast

As for Ronda, it is a buzzing and welcoming town whose most well-known feature is the gorge that divides it and the bridge that crosses it, both made famous by the series of brilliant oil paintings David Bomberg made when he lived there in the 1930s.

Ronda

Bomberg’s Ronda

Next stop was Granada, at the foot of the Sierra Nevada, home of the poet Federico García Lorca and of the Alhambra, Moorish citadel and palace, and the most renowned building of the Andalusian Islamic legacy. Any lover of mosaic and tiles would love its interior, but frankly anybody with an ounce of romance and fantasy would fall for it.

The Alhambra in Granada

inside the Alhambra

Saturation of visual sensation means you will end up agreeing with the poet Franciscio de Icaza who wrote “Give him alms, woman, for there is nothing sadder in life than being blind in Granada.” (“Dale limosna mujer, que no hay en la vida nada como la pena de ser ciego en Granada.”)

Walking along the narrow streets of the Albaicín district is also enthralling. Lots of shops selling pots and ceramics of all kind.

street sign in Granada

Even the street names are made of ceramic.

A visit to the Moorish Baths was a cool break from the sun and heat outside: looking up at the ceiling from the gloomy depths of the 11th Century building, the shapes cut out originally to allow steam to escape let in the daylight and shine like stars.

11th Century baths in Granada

All a distant memory. Now back at the workshop at No 9, belatrova is busy preparing for h.Art events which will be from 6th – 14th September and to which you are all most welcome. We will be open from 10.00 to 17.30. Remember to follow the bright red h.Art signs.

tHe Studio Gallery opening in Ross on Wye

And if you are near Ross-on-Wye, please drop in at the Studio Gallery which had a very successful launch some days ago and has an excellent display of belatrova ceramics.

* any belatrovian agreeing or disagreeing with this statement is invited to leave a comment. Comments will be awarded points, and points mean prizes … and, much as we would like to give the winner a Picasso bowl, you could win yourself a belatrova Valencia three legged ceramic instead.

Pope to belatrova

August 4th, 2014/1 Comment/in Blog, ceramic art, poetry /by Peter Arscott

belatrovians will know that we at No 9 Bankside are hard working and industrious and that we subsequently reward ourselves at the end of the week with a deliciously cold Dry Martini lovingly prepared by the Alcomeister hours in advance so as to reap the most from this sublime Emperor of Cocktails. We have also more than hinted at the excellent qualities of the Negroni in a previous blog. But today we will sing the praises of an altogether different drink and toast a man whose standing should be far better appreciated than perhaps it is. How does all this relate to art, design and craft?

Ross on Wye

Ross on Wye is a charming town on the northern edge of the Forest of Dean and perhaps the birthplace of British tourism when in 1745 the rector Dr John Egerton started taking friends on boat trips down the valley to appreciate the river scenery, its castles and abbeys, its precipices and its altogether picturesque environment. By the 1850s the Wye Tour established the area as a tourist attraction. The town is known for its independent shops, narrow streets and market square with its market hall. Opposite the church, the Prospect is a public garden offering a view of the famous horseshoe bend in the River Wye, as well as views of the distant Black Mountains in Wales.

The Man of Ross

The Prospect was created by one John Kyrle. He is without doubt the town’s most famous son (and we say this in the full knowledge that two of the founding members of Mott the Hoople were from Ross). He devoted his life to philanthropic works, introducing a public water supply to the town and laying out the Prospect Gardens. He also reconstructed and added pinnacles to the unsafe 14th century spire of the Church of St. Mary and gave it a magnificent tenor bell. He sponsored the causeway to the nearby Witton Bridge and set up funds for needy local children to attend school. Kyrle lived modestly as a bachelor on an income, it is said, of £500 per year. Apart from Kyrle’s charitable works and deeds, he also settled disputes, supported the schools, tended the sick and helped the poor. His public-mindedness also extended to beautifying the town and its surrounding landscape.

lisping babe

His life and good works were celebrated by the poet Alexander Pope in his Moral Essays written in 1732 and called him the ‘Man of Ross’, the name by which he has been known ever since:

“…Who taught that heav’n directed Spire to rise?  

The Man of Ross, each lisping babe replies.”

Now, Pope, though an interesting poet, was also a hugely influential landscape gardener and as the perfect representative of Augustan poetry he uses the same principles when it comes to landscape gardening. The Augustan style takes its inspiration from ancient Rome and Greece, emphasizing elegance, harmony, balance, formal strictness and simplicity. We are not just talking Geometry here but surely you’ll agree that it is one easy step from Pope’s harmony to the perfect balance of Mondrian‘s paintings (and to his New York connections) and thus to belatrova’s Manhattan range of ceramics and tables.

Mondrian

manhattan collection

And to celebrate these 18th Century geniuses why not raise a cocktail to them? Your 18th Century taste buds were likelier to go for the sweet rather than the dry, so, in keeping with the general theme, we thought the Manhattan hit the spot:

2 ounces whiskey (rye preferable)

1/2 ounce sweet vermouth

2-3 dashes Angostura bitters Maraschino cherry for garnish

Preparation:

Pour the ingredients into a mixing glass with ice cubes.

Stir well.

Strain into a chilled cocktail glass.

Garnish with the cherry.

Ladies and gentlemen, raise your glasses to the Man of Ross, and consider this: the pursuit of all that is excellent in design and harmony continues in Ross on Wye with the launch of a new gallery in the town centre. The Studio Gallery, open from the 16th August, is exhibiting ceramics, painting and high quality craft, and would love to see you. So would belatrova, whose work is on show there.

what you might see at the Studio Gallery

“Hope springs eternal in a young man’s breast: Man never is, but always to be blest.”

Alexander Pope

Languid June

June 30th, 2014/0 Comments/in art, art furniture, Blog, hand painted coffee tables, painting, pots /by Peter Arscott

belatrova feet up

The newly refurbished workshop space has come into its own, specially when the days have been hot and sultry and the cooler corners away from the kiln became more inviting. June highlights have been many and varied, both within the workshop and away.

cool for birds

Non-belatrova activities include Stuart’s exhibition at Nantgarw, a museum on the site of an old porcelain works. Entitled “White Gold” (Aur Gwyn) it includes fifteen different potters using porcelain, and can be visited until 17th August. Stuart (Mr Dynamo) is also showing at Abbey Dore from 20 – 26 July along with other artists as part of a mini Arts Festival there. It is open daily from 9.30 to 6.15 and admission is free.

terracota figures of the Apostles by sculptor Nick Pope

Nick Pope’s Apostles

And we all went down to Salisbury to the opening of Nick Pope’s wonderful sculptures of the Apostles Speaking in Tongues Lit by Their Own Lamps in the Cathedral; a grouping of 33 terracotta figures, each one identified by his personal character and attributes. Exhibited some years ago at the Tate, they have “come home” in this new setting, and look as if they had been there from the beginning. Still, rather than talk about it, belatrova urges anyone to pay them a visit when they are in the area, and to be there when the lamps are lit.

magic carpet at the R.A.

Those of you who are interested can also drop into the Summer Exhibition at the Royal Academy to see “Flying Carpet“, painted by Peter and selected by the panel – there is also some engaging ceramic artwork to be seen.

Back at the workshop we had fun making a batch of birdbaths and a couple of new coffee tables to match the Valencia and Manhattan ranges. As a result, in-house spray varnishing is now being mastered and the protective gear and mask required induce a great deal of sweating and panting which can only be assuaged by a cold drink, usually water but often something a little more interesting if it is towards the end of the day. We have discovered a new Friday evening cocktail: the Negroni.

birdbath just made

manhattan table

Oh, and one of the junior belatrovas made a memorable cake for her father, using a belatrova platter to serve it in, of course.

Dad’s birthday cake

So much to do, so little time. Roll on July

poetry / pottery

August 8th, 2013/0 Comments/in art ceramics, kiln firing, poetry /by Peter Arscott

Jacob Polley (copyright Harry Rook)

The annual Ledbury Poetry Festival came to town this July; ten days of the best writers, poets and performers, and belatrova took full advantage, enjoying Juliet Stevenson‘s Sylvia Plath reading, as well as Jacob Polley and Sean Borodale together at the Burgage Hall, Martin Rowson‘s tone-lowering Limerickiad, Benjamin Zephania‘s jamming with Tony Benn, and a wonderful celebration of Benjamin Britten’s centenary with Ruthie Culver and the Utter:Jazz quartet and Sam West re-imagining the composer’s settings of WH Auden’s poems.

Martin Rowson (copyright Harry Rook)

There were over ninety events in all, including Japanese and Italian poetry, digital poetry, turntabling with Jah Wobble, bike rides, a Cerys Matthews sing-a-long, underwater sound poetry – belatrova tried to imbibe as much as possible and came out of it satiated and inspired. And there was the bookArt 13 exhibition at the Shell House Gallery with five artists, Jeanette McCulloch being one, giving us a rich visual experience with the text.

We did reject the idea of a Ledbury Pottery Festival to run concurrently with the poetry (and someone also came up with the idea of a yearly Ledbury Poultry Festival), and instead took up Jacob Polley’s suggestion to read an essay by Barry Lopez on anagama ceramic firing (“Effleurage: The Stroke of Fire” from his collection “About this Life”). Anagama kilns are wood-burning tube chambers usually built on a gentle slope to promote draft and reach great temperatures, producing ware that is “licked and scorched by wood flame, glazed and encrusted with wood ash”.

His descriptions of the process, the patience needed, the constant feeding of the fire night and day, the unpredictability of each firing, explains the attraction it holds for potters drawn to social cooperation, physical work and subtle firings. It is the antithesis of the rigid commercial kiln processes. Anyway, it is beautifully written and is now being circulated amongst the local potters.

apprehension

The belatrova kilns are electric, so control over the heating is simple compared with the mixture of instinct, experience and know-how required for the anagama firings, but there is nevertheless a similar feeling of apprehension and excitement just before you open the lid to see what the gods of fire have done with all your hard work. We usually lift the lids when the temperature goes down to 80° or lower, the kilns having spent two days slowly climbing down from their peak, in our case, of 1280°.

split ceramic plate being lifted out of kiln

more than just a hairline crack

A gentle stoicism permeates the workshop on these occasions as the ware is slowly revealed and brought out into the light, sometimes with a tiny hairline crack, sometimes with an obvious split, sometimes in small pieces, but most often the ceramic is good to the eye and it is placed on its shelf ready for any wet sandpapering.

Here’s a three legged bowl that came out unscathed, on a belatrova table:

a happier result: scooped tripod on belatrova table