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ceramic planter with daffodils

hello Spring

close-up of ceramic brushmarks

painterly close-up

You haven’t heard from us for a while, we admit, but we are coming out of our Winter torpor, just like the snowdrops that every year nose their way out into the light before Spring to gladden the hearts of all lovers of beauty and Nature. And we are here to gladden your homes and gardens, with our handmade ceramic lamps and outdoor tables, our fabulous mirrors and the new range of Jazz pots influenced by our old friend Thelonious Monk and others.

ceramic planter with daffodils

blue and yellow

With your gardens in mind, we’ve been making new Brushstroke Blues planters that will bring to life any corner of a garden or patio, and, because they are mostly blue in colour, they will set off the warmer yellow, orange or ochre hues of the plants. Furthermore, blue is serene and mentally calming, associated with intelligence, communication, trust, efficiency, serenity, duty, logic, coolness, reflection, calm, and thus a nice contrast with yellow and its optimism, confidence, self-esteem, extroversion, emotional strength, friendliness and creativity. All of that in one planter, but then belatrova does like to carry out as much research as possible on behalf of its supporters and customers, and this often reveals things we were not aware of – perse, smalt and watchet, for example, are all associated with blue, as are the better known azure, cobalt, navy, sapphire, cerulean, cyaneous, mazarine, pavonated, perwinkle and ultramarine.

the colour watchet

watchet

the colour smalt

smalt

the colour perse

perse

In all honesty, blue is belatrova’s favourite colour – as you may remember from a previous blog (July 2014).

abstract cewramic table top

ceramic blue abstract table top

Click here and you can hear the inmortal lyrics Nel blu, dipinto di blu from Volare sung by Domenico Modugno (skip the ads). Dean Martin also sang it, but Dino’s version is a “tad slick”, according to one member of the team, though another claims that Domenico’s strange arm-lifting movement reminds him of a policeman stopping traffic. See what you think.

jazz inspired ceramic pot

thelonious corner pot

Edmund de Waal‘s visit to the Ledbury Poetry Festival last year reminded us how pottery and poetry are only differentiated by the one “t”, and looking at the quality of the ceramics produced in the UK any objective observer would have to agree that the state of pottery creativity is at an all time high, possibly aided by the “Great Pottery Throw Down” on TV. The most astonishing shapes, textures, glazes and sizes can be seen in galleries and in excellent magazines such as Ceramic Review, and pieces can express a range of emotions, from the calm of a Japanese influenced pot to the freewheeling hurly burly of glaze upon glaze on a large abstract shape. Inevitable, belatrova looks to see where it fits in and we conclude that for the painterly abstract quality and the treatment of the ceramic surface as a canvas we belong to a very small group. Our customers are very discerning, and many seem to have a disposition for the visual arts; but however discriminating, sharp and perceptive they are (and, of course, they are), with Spring around the corner and the sap rising we know that a Spring Open Weekend is a much anticipated opportunity to make up minds and go for that particular piece that will enhance the dining room, or sitting room, or patio.

three ceramic planters

blue planters

Sometimes the world is a valley of heartaches and tears
And in the hustle and bustle, no sunshine appears
But you and I have our love always there to remind us
There is a way we can leave all the shadows behind us…

Yes, by paying us a visit!

So please pencil in the 22nd and 23rd of April (10 am – 5 pm), when we will be at Bankside Studios in Ledbury along with makers such as Fleen Doran and Wendy Houghton, and others. Otherwise you can always visit the website.

ceramic jazzpot

splash pot waiting to meet you

apple harvest on a table

“Slack ma girdle, Foxwhelp.”

ceramic fruit bowl
Season of mists and mellow fruitfulness!
Close bosom-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run...” (John Keats)

image of grapes on a vine

belatrova bunch

At belatrova we started turning our thoughts to Autumn, what with the leaves beginning to turn and that scent of damp and smoke that permeates the countryside near the workshop. We also discovered a taste for perry – surprising given that we seem (from the blog) to be serious cocktail sippers rather than quaffers of fermented fruit juices. We told you how to make the perfect Dry Martini some time ago. Perry is very much an Autumnal drink, and we visited a local small holding to see how it is made.

image of bottle of local perry pear

perry made from blakeney red

Has this anything to do with ceramics or table making? Probably not. The Blakeney Red is a greenish yellow perry pear with a red flush on the sunny side, an old favourite which was even considered a desert pear in the 1600s. which could also be stewed and used to dye soldiers’ khaki uniforms. This popular pear is renowned for perry making and is considered one of the best single perry varieties. The perry we tried was made from this pear.

How does this link in to ceramics, I hear you ask? Well, perry pears had their heyday in the late 17th and early 18th centuries and it is thought that there are at least 120 Perry pear varieties, many so local that they were only ever propagated on 1 or 2 adjacent farms. The heritage of these pears leaves us with some fantastic variety names, including Dead Boy, Mumblehead and Merrylegs. Some cider apple names? Brown Snout, Foxwhelp, Tremlett, Slack-ma-Girdle.

apple harvest on a table

worcester apples

So far we have found no obvious links to ceramics and pottery, however, Stinking Bishop perry pear is local and used by Charles Martel, cheese maker supreme and reviver of Single Gloucester, whose washed-rind cheeses are immersed in the perry for 4 weeks while it matures. It is made from milk of Gloucester cattle, and became famous when it starred in “Wallace & Gromit: the Curse of the Were-Rabbit“. Here is a picture of late Autumn lillies to wave away the scent of cheese:

late autumnal lilly in sunlight

some kind of lilly

Throughout Herefordshire there is a strong tradition of farm cider-making. Farmers produced cider to be drunk by the farm labour force during the following year, especially the busy times of hay-making and harvest. Farmers used to sell cider to local pubs and cider merchants for re-sale in towns. By the way, perry pear trees take much longer to mature than cider apple trees, thus:

Who sets an apple tree may live to see it end,
Who sets a pear tree may set it for a friend
.”

a three legged ceramic fruit bowl with apples

fruit bowl

Like the pear tree, belatrova has also paced its maturity to get to the stage we are now at. So if there is a seasonal change in the air, belatrova too reflects this. We have added two new categories to our website which we would love you to visit – just click on either: Fruit bowls and serving dishes and Ceramic art. Enjoy the visual sipping, get merry on home decor ideas, refresh your taste buds.

three legged spotted bowl

ceramic art? More Fresian than Hereford

cartoon of bishop

an old stinker

 

 

apple on ceramic bowl

belatrova – Open Studio Art Week 10 – 18 September

The purest treasure mortal times afford, is spotless reputation; that away, men are but gilded loam or painted clay.” William Shakespeare

apple on ceramic bowl

temptation

belatrova’s reputation may well be gleaming, but we would like you to see it up close and give it a good poke. We are happy for you to pick up any of our bowls and test its weight, or sniff it, or hold its cool surface against your cheek, even lick it. Pottery does this to people.

Clay engages the five senses.

ceramic acoustics

listen

Put a porcelain pot to your ear and flick its surface with your middle finger; what a satisfying “ping” sound comes from it, clear and perfect and proving there are no cracks in it. How horrible it is when we take a piece out of the kiln and the ping is more a “plock” sound – disappointment soon follows as a hairline fracture shows up.

eyes looking at ceramic

look

Touching pots is part of the experience, both when you are making them and when you are choosing one to buy. Do your fingers yearn to feel the rough textured surface of an unglazed vase or do they prefer the smooth milky whiteness of glazed porcelain? And what about plunging them in wet clay and making shapes?

Your eyes can be drawn to certain pots for all sorts of different reasons: colour, glaze, shape. Try holding up a piece of fine porcelain up to the light and wonder at its translucence.

licking porcelain

lick

And eating clay? Well, it is an acquired taste, but some people swear by it. It helps keep toxins from being absorbed into the body, the minerals that make up Bentonite clay work together to absorb heavy metals and other toxins in the gut. And kids seem to love it. “I am so happy that there are other people who love eating clay. I’ve been eating it since my pregnancy 20 years ago. I love the smell of wet earth in my mouth. Yum, yum” Mrs Elvira Fingerhut of Neasden, London, UK.

nose sniffing ceramic

sniff

Finally, smell….mmmm, a bit of a challenge, this one. Sometimes it can smell of rotten eggs. But sometimes it is just damp and musty, like Autumn approaching with all its mellow fruitfulness.

Yes, Herefordshire Art Week is with us from 10 – 18 September, which means that we are one of over 150 makers and artists in Herefordshire who will be open to visitors throughout the nine days.

And for a limited period only we have knocked 10% off the price of everything in stock! Would you like to know how to get your discount? Just click here.

One of the advantages in coming to our venue is that you get to see the work of three other ceramicists who form the Bankside Studios cluster: Fleen Doran, Stuart Houghton and Wendy Houghton.

This annual event draws many people to our workshop, and many are dropping in not just for the excellent cake and tea they are offered; you get to experience an exhibition of contrast and style, with informal demonstrations and the chance to talk to the artists.

Furthermore, there is an irresistible sale of belatrova pieces in one section of the workshop, and wonderful bargains to be found. Do come along, say “hello”, and handle, stroke and pat our pottery.

hand made jug by belatrova

thelonius splash pot

Directions: in Ledbury follow the red h.Art signs from Lower Rd or New St into Little Marcle Rd. Follow signs to studios behind Alfa-Tech Garage. Parking is available. We are open 10 – 5.30 pm.

large blue ceramic jug

big blue

elephant on the keyboard

With an Open Summer Weekend (Sat 2nd and Sun 3rd July) just around the corner, something happened at the Bankside Studio recently. The ghost of Thelonius Monk made itself known and whispered strange and wonderful things into the ears of belatrova as we were making a batch of three legged bowls. Perhaps “Ruby my Dear” was playing on the cd player, whatever it was it made our hands dance and the unintended clay shapes seemed to be spot on. “What about the three legged bowls?” we hear concerned belatrovians ask. Well, we did make them, though a few days later, after we had returned from Monkland.

ceramic pot
ceramic pot
ceramic pot

belatrova team

Thelonius Pugmill and two friends

Taking a brief trip to Monkland is highly recommended: you will come back refreshed and brimming with more ideas than usual. It is liberating to make pieces without worrying about the end result, and if one piece turns out to be a failure then the next one will be stronger for it. In this we were aided and abetted by our hard working pug mill who, as some of you may remember, is called “Thelonius” and who is by far the hardest working member of the team.

For a ceramicist, going to Monkland means that you accept one condition only – that there is no wrong way to make ceramics. This is how you have to approach the lump of clay, just as Thelonius Monk approached his piano. As he saw it, “The piano ain’t got no wrong notes!” and this explains his unique jazz style, which includes percussive playing, unusual repetitions and dissonant sounds, and a surprising use of silences and hesitations. Click here to listen to “Don’t blame me” where there is a fine example of his style.
ceramic potceramic pot
He also had the habit during performances that while the other musicians in the band continued playing he would stop, stand up from the keyboard, and dance for a few moments before returning to the piano. It was in this spirit that one of our team tried to show his fellow potters how to dance a jig while violently flattening clay with a rolling pin and, at the same time, sipping tea from a mug.
blue ceramic piece
ceramic piece by belatrova
large ceramic pot

A debate followed as to whether this performance was a fine example of syncopation made flesh, since in music, syncopation involves a variety of rhythms which are in some way unexpected, thus making a tune or piece of music off-beat – “a disturbance or interruption of the regular flow of rhythm”. We agreed this was the case, and that it would be incorporated into a piece, which in turn would be entitled: “Thelonius made me do it“, subsequently the title for the whole series.

ceramic blue jug
ceramic piece by belatrova
blue ceramic jug

Many of you will want to see this growing collection of freewheeling pottery, and we would like to show it to you, so make an entry in your diaries for Saturday 2nd and Sunday 3rd of July (10 – 5pm) when we will be opening the workshop for our Summer Weekend.

Philip Larkin

Philip

elephant on the keyboard

Nellie

And we will also be showing our bowls, lamps, tables and birdbaths, as well as our new range of wave bowls and scoop bowls, because not everybody loves Thelonius as much as we do. Philip Larkin, a much better poet than jazz critic, considered Thelonius Monk nothing more than “the elephant on the keyboard”, but Monk is the second most recorded Jazz composer of all time, right after Duke Ellington. So put that in your pipe and smoke it, Philip – and just to rub it in, here is a link to a short video of the Thelonius pots spinning to “‘Round Midnight” arranged for saxophone quartet by Quartetto di Sassofoni Accademia, with no piano or elephant.
Thelonius Monk

PS  belatrova will be under the Ledbury Market House this Saturday and every Saturday in June – if you are in the area drop by and say hello.

PPS. We would like to thank “Botloes” for giving us such a great review on Houzz – we wonder if this mystery personality might reveal herself or himself?

Hasta luego.

close-up of ceramic planter surface

Slabby McSlabface

close-up of ceramic planter surface

Spring ceramic

At belatrova we make things because we like them, and think that you might too. We even make things before we know exactly what to call them. We have been slab rolling and glazing pieces for the outdoors and indoors, and though, strictly speaking, they are “slab pots” we think there is a better name for these ceramic containers, or planters, or plant pot holders, or umbrella stands, or whatever.

They are so flexible, you see, that they can be used in many ways.

However, belatrova will not fall into the mistake made by the UK’s Natural Environment Research Council who asked people on the internet to name its newest research ship. The internet returned with the magnificent, if inappropriate, RRS Boaty McBoatface. So we are not guaranteeing that we will adopt any name suggested by majority response.

 

It is May, and many will be turning their thoughts to the garden. If you are dreaming of salvia, foxgloves, Sweet William, wallflowers, poppies, nasturtium and scabious, now is the time to sow. You can grow your favourite flowers and vegetables anywhere by planting them in beautiful containers that enhance the setting. “Container gardening” in planters or plant pot-holders allows your imagination to wander all over your garden.

Unlike many planters and holders belatrova’s are colourful and bold, and when placed strategically in the garden or patio, they can brighten the space around them as well as complement the plants inside. They work well in small to medium spaces, or in clusters and groups.

ceramic sweet display

a bonboniere, but you can call it “Fred”

On the other hand, you can use them in entirely different ways indoors – as slab pots, ceramic umbrella stands, bonbonieres (great word) or just plant holders. With indoors in mind, these do not drain because they have no holes at the base, but we can easily make them with drainage holes if commissioned to do so. If you are looking for a bold statement then imagine it as a centrepiece of a side table or counter, or on the floor next to the fireplace, filled with dried sunflowers. The colours really stand out and brighten any space.

We are very aware that most of you do not live in stately homes or manor houses, but just in case one or two of you do, a fine umbrella, whip, or walking stick stand for any hallway or lobby is surely a “must”.

ceramic planter

brushstroke blues for buddha

Try serving a punch or mulled wine out of one. We have previously given you the recipe for deliciously dark and cool Black Velvet (November 2014 blog) – imagine serving that out to your guests with a ladle from this unique tureen (do you see our problem? What can we call this adaptable ceramic?).

We hand make our planters out of four large, rolled ‘slabs’ of clay and it takes two of us to put the larger pieces together. They are glaze fired at 1275 degrees – this is when vitrification takes place, making the ceramic tough and resistant to weather extremes of heat and cold. They will not crack in a frost.

On occasions at the workshop we are overcome by the strange combined influence of our pugmill, Thelonius, and of our favourite jazz pianist, Thelonius Monk. This often happens on a Friday afternoon. We are slowly building a small collection of these inexplicable Thelopots, and we thought you would like a glimpse of one.

three ceramic planters

Thelonius made me do it” series

We are opening our workshop to the public for a Summer Weekend on Saturday 2nd and Sunday 3rd July – please drop in, but if you’d like to come at any other time, just give us a ring – all details on our website: www.peterarscott.co.uk/dev

You can also visit us on Home of Artisans

Over the moon, on the crest of a wave.

 

close-up of table top by belatrova

moon power

Gazing at the Full Moon last night belatrova was filled by the wonder of the night sky. Somebody told us it was a Wolf Moon, and it turns out that full moon names reflect the goings on of that time of year, and this one is so called by American Indians because it is the animal’s hungry month, so February’s is the Snow Moon because it is the month most snow falls, Harvest Moon in August, Hunters’ Moon, and so on. And to top it all, five planets in the solar system are visible in a line this month: Mercury, Venus, Mars, Jupiter and Saturn – a fabulous quirk of the Universe.

image of 5 aligned planets

planetary alignment

Possibly as a result of this magical alignment belatrova has won ‘Best of Customer Service’ on Houzz®, the leading platform for home renovation and design (www.houzz.co.uk). The ‘Best of Houzz’ is awarded annually in three categories – Design, Customer Service, and Photography. Houzz ‘Best of Customer Service’ honours are based on several factors, including the number and quality of client reviews received in 2015. A ‘Best of Houzz 2016’ badge will appear on belatrova’s Houzz profile as a sign of its commitment to excellence and these badges help homeowners identify popular and top-rated home professionals.

Houzz Customer Award 2016 badge

So, a huge thank you is due to our customers who reviewed us on Houzz. We were chosen by the Houzz* community from among more than one million active home building, renovating, and design industry professionals.

Andrew Small, Managing Director of Houzz UK commented, “anyone building, renovating, or decorating looks to Houzz for the most talented and service-oriented professionals, and we are very pleased to recognise belatrova with our ‘Best of Customer Service’ award.

close-up of wave bowl edge

ceramic wave

Aware that all sorts of things happen during a Full Moon (arson attacks increase by 100% at the time of the Full Moon, murders treble around that time and passengers on flights are more difficult to handle, say harassed air hostesses) we at belatrova would rather let our minds float in all the apparently miraculous stuff associated with it. For example, the link between the Lunar Cycle and the tides is well established but still mysterious, but may well explain why we have started making large wave bowls this new year. We think you will like them: they are a perfect centrepiece for any dining table, and practical as fruit bowls or tureens.

belatrova ceramic wave bowl

blue undulations

ceramic bowl with blue brushstrokes

more blue waviness

We have used the oxides of the Brushstroke Blues range to hand paint the wavy brushstrokes onto the undulating surface, which in turn has wave-like marks scratched in with a peineta or Spanish Flamenco comb. This last element, as you belatrovians instinctively know, is essential.

Spanish comb

peineta

 

close-up of ceramic scratchwork

porcelain comb-over

 

5 wave bowls out of the kiln

straight out of the kiln

These wave bowls measure about 40cms x 30 cms, and weigh 6 lbs (2.7 kls), so they are robust as well as beautiful. Don’t let February’s Full Moon be a Blue one, cheer yourself up with a belatrova bowl and wave goodbye to the blues.

*About Houzz (www.houzz.co.uk)

Houzz is the leading platform for home renovation and design, providing people with everything they need to improve their homes from start to finish – online or from a mobile device. From decorating a small room to building a custom home and everything in between, Houzz connects millions of homeowners, home design enthusiasts and home improvement professionals across the country and around the world.

 

With the largest residential design database in the world and a vibrant community empowered by technology, Houzz is the easiest way for people to find inspiration, get advice, buy products and hire the professionals they need to help turn their ideas into reality.

 

Peter Arscott, Director of belatrova said, “we are delighted to receive this accolade from such a prestigious enterprise as Houzz. We work hard to ensure that everyone inquiring about our products enjoys dealing with us, and that those who buy a belatrova product are completely satisfied with it and enjoy having it in their home or commercial environment.”

 

glass of Orange Blossom

all fingers and thumbs

glass of Orange Blossom

Orange Blossom cheer

It was Sir Isaac Newton who stated that, in the absence of any other proof, the thumb alone convinced him of God’s existence. And belatrova, stoically recovering from an injured left thumb after an unfortunate encounter with a kiln door, could not help but think of the usefulness of those five appendages that grow out of each hand – our fingers, or, strictly, our digits, if we include the thumb.

It turns out that our fingertips possess a high concentration of receptors, which means that they are highly sensitive to moisture, pressure, texture and temperature. Fingers are capable of feeling the tiniest, almost invisible, wrinkles on what appears to be a smooth surface, an extraordinary level of sensitivity. Thus we use our fingers as sensory probes to find out about the objects we bump into or are puzzled by, and so they are prone to getting hurt – they get burnt, cut, scratched, squashed and scraped. In belatrova’s case it was an injury due not to sensory probing but to simply forgetting where his thumb was as the kiln lid was being closed.

When not getting them injured, we at belatrova tend to use our fingers to poke clay to see how moist it is, or to smooth down the surface of a bowl before biscuiting, or to trim and cut around a shape, or to test how hot a piece is in the kiln (even if the meter indicates 90 degrees), or to brush on an oxide colour or to sandpaper the oak plinth of a birdbath.

mandarins in bowl

mandarins look better on ceramic

What would we do without our fingers. Think of all the finger gestures we rely on: thumbs up, the OK sign, the V for victory sign, the middle finger sign. And pointing is so useful, and counting, and playing the piano. What about the index to your mouth for “silence”, and snapping your fingers, or just picking your nose? The list is endless.

“…Even now that sweet memory lingers
I was playing my guitar
Lying underneath the stars
Just thanking the Lord
For my fingers
For my fingers” Paul Simon

And you need your fingers to make cocktails. As is customary at Christmas, we like to offer our supporters and friends a new cocktail that has been tried and tested on volunteers at the belatrova workshop. We have shown you how to make the perfect Dry Martini, and a delicious Black Velvet, now we would like you to try an Orange Blossom.

Use a large snifter or brandy glass, or balloon glass.

Fill it with ice – perhaps three generous cubes

shake two drops of Orange Bitters into it (this you can buy online or at some shops now). Do not allow more than two drops – these things really matter.

A small splash of Elderflower Cordial

Fill two thirds of the way up with cold Prosecco (it must be cold)

Curl a thin sliver of orange peel onto the rim

Stir

Drink

ceramic costers

star coasters

We at belatrova wish you all the very best for 2016, and we hope you have a Happy Christmas. As some of you know, we are always in and out of our workshop at No 9, so if any of you want to pay us a visit it is a good idea to give us a call first on 01531 634082, otherwise you can always contact us via our website: www.peterarscott.co.uk/dev or you can have a look at our ETSY site, or even our Pinterest boards.

Cheers! Salut! Salud! Santé! Prost! Salute!

pug mill

Thelonius says “Happy Christmas”

 

 

 

 

 

 

 

 

 

 

ceramic mural

weekend openings, many visitors

A big thank you to all our visitors who dropped by these last two weekends – it is always good to see new faces as well as the regular ones. Many of you took part in our “mini mural” competition which used an assortment of glazed ceramic pieces to very individual effect. And do they say something about the individual, we wonder?  And here are the best ones (as judged by Thelonius):

Hmmm. Very difficult to choose a winner. Turquoise (or anything with blues and greens) is a favourite of the judge’s (who is given to pondering about life), and he says it denotes  an ability to create emotional balance in your life, to express your hopes and dreams no matter how idealistic they may be and to make your own way in the world under your own terms, so he is awarding  a prize each to Alicia and to Lily.

 

 

 

 

 

 

 

 

 

another close-up of mural

Muralista

complete head-on view of mural

Adaptable as ever, belatrova, as well as designing and making handmade ceramic birdbaths, lamps, bowls and tables, has developed another skill that uses clay to great effect – we also make ceramic murals. A mural, from the Latin murus meaning wall, is any piece of artwork applied directly on a wall, ceiling or other large permanent surface.
view of ceramic mural lo<a href=

This particular mural uses the idea of “juggling” as its departure point; the house in Spain for which it was commissioned is named after an area of southern India, and it is a word that in Spanish is associated with jugglers and juggling. A happy convergence of imagery to get the ball rolling, and which can be seen in the final design with the still central figure at the bottom from which two circular movements flow, one counter clockwise, the other clockwise, co
ntaining the various elements and shapes which are being “juggled” – all presided over by the sun at the very top. Some of the shapes are purely abstract to accentuate the flowing lines, other more recognizable things are there because they are right (even if ultimately inexplicable to most people- cacti, skulls, vases and jugs, ashtrays?).

another close-up of mural

 

ceramic cactus

The rectangle of space within which the piece was designed measures 2300mm x 3126mm, and each piece is made from grogged stoneware, a clay that contains tiny fragments of molochite to strengthen the material when it has to be shaped and cut, slab rolled and then biscuited to 1000°, after which, as a lot of you may remember from previous blogs, the surfaces are painted with oxides and stains, dipped in a transparent glaze and then fired to 1275° in the belatrova kiln.

view of ceramic mural from ground floor
The challenge was always to produce shapes that stayed flat and did not crack, and there were five “skulls” made before the sixth and final one that you see in the images. Here is a picture of skull No 4, already biscuited, with a fine crack going from eye to jaw. It makes quite a good cheese board, specially when you need to hurry guests away from the table.

close-up of cracked ceramic piece

ceramic skull as cheese board

We were very pleased with the way the two flying legs turned out, considering their awkward shape and length. The belatrova team member who modeled for them wishes to remain anonymous, but we think he has a future with Tommy Hilfiger or Adidas.

ceramic legs in mural

The other challenge facing belatrova was the height of the scaffolding, about three metres off the ground, but, thankfully, any vertigo was kept at bay by our perfect hosts who supplied belatrova with a steady source of cold Spanish beer sothat in the end any lingering acrophobia was gently dispelled.

scaffolding

The first step upon arrival was to measure out the rectangle above the doorway in the hall and then to stick templates of the ceramic pieces (which had previously been cut out in card) onto the wall. When, after a great deal of tweaking, the templates were all blue-tacked in their place, a pencil mark was drawn around the contours and the card templates removed to allow the actual ceramic shapes to be bonded to the wall in their correct positions.

carboard templates of ceramic shapes for mural

Murals do vary from simple tiled works to huge installations by contemporary ceramic artists; depending on context, they can enhance large or small spaces, but belatrova thinks ceramic murals are the perfect solution for those who enjoy sculpture but have no space, or for those who have a large space that needs to resonate more with its surroundings. Murals fulfill the same function as a picture while often being much more dynamic and three-dimensional.

stylized ceramic skull

The technique of slab-rolling and shaping, which was used for this mural, is one also applied to most of belatrova’s production, and if any of you have not already seen our video showing how it is done, please click here.

Lastly, please remember that we have two pre-Christmas Open Weekends: 28 and 29 November, and 6 and 7 December, when we will be open from 10am to 5pm. Do drop in.

pathway in the woods

the belatrova look

pathway in the woods

the way to work

This is a photograph of one of the paths that lead us to work at No9 Bankside. As you can imagine, the colours and environment change considerably throughout the year, and even the birds sound different – hardly a tweet in January but a choir in May. The walk is soothing and helps focus ones thoughts, and amidst the usual deliberations (Is the universe finite or infinite? Are there female leprechauns? Why do old men have hairs in their nostrils? How much deeper would the oceans be without sponges?), what came into mind recently was “How to explain the belatrova look?”

 

Mid century modern? Vintage 50s? Contemporary retro? Retro contemporary? Not really. It’s just that the belatrova team like bright, bold colours and satisfying forms – it’s age and experience that allow any maker and designer to judge with confidence the fashions and periods she or he has lived through, and to come up with something that looks both familiar and refreshingly new. That’s belatrova.

medieval image of blacksmith

our neighbouring metal worker, on a good day

Add to this a contemporary rural community that provides know-how and support when dealing with different materials and processes – somehow our neighbours, a metal worker, a maker of Japanese screens, a textile artist and a ceramic sculptor, have some intangible influence on things – and if you add the fact that the three business partners are a potter, a painter and a pianist, you have a recipe for a unique creative business.

underside of coffee table

sputnik

What we are saying is that belatrova combines an awareness of contemporary style with the influence from childhoods spent in the era of sputnik legs, Mondrian geometry, rounded shapes and coffee tables, in other words the late fifties and early sixties (yes, last century) – but also bringing a contemporary artist’s touch to domestic design and introducing both fun and fine art painting into the home.

And so, not that you need reminding, distinctive hand made, hand glazed ceramic coasters, lamps, bowls, and large standing pots, contemporary designer coffee tables, and ceramic birdbaths on beautiful oak plinths make up the range of stunning products from belatrova. Here are a few images to whet your appetites:

handpainted coffee tabletop

durden

platter

platter

As most of you know, everything is made at our workshop in Ledbury, Herefordshire, which you are very welcome to visit; just give us a ring on 01531 634082 in case we are out delivering, or on an emergency expedition to buy olives for our Martinis. Warning: the picture below is not of a Martini, but an experiment involving apple juice and gin and other (secret) ingredients.

And by the way, a potter, a painter and a pianist deal respectively with mud, paint and ivory, so we thought at first we would find a name for our enterprise by making an attractive anagram of the three words. Luckily we went for “belatrova” – the only anagrams we came up with were “mad vino purity”, “via nudity romp” and “armpit undo ivy”.

belatrova sign

a bat lover

Toodle pip.