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belatrova’s Tales of the Alhambra

June 18th, 2015/0 Comments/in art, art ceramics, Blog, ceramic art /by Peter Arscott

Granada and the Alhambra from the Sacromonte

belatrova has often been drawn to Granada (blog August 2014) in the foothills of the Sierra Nevada, and specially to the Alhambra, the great sprawling hilltop fortress encompassing royal palaces from the Nasrid dynasty, as well as the fountains and orchards of the Generalife gardens.

view of the city from the fortress

It first became a palace in the 14th century under Yusuf 1, Sultan of Granada, in the years when southern Spain was in the hands of various Moorish dynasties. It is a spellbinding place, all ceramic tiles, wood and plaster – Islamic art at its peak.

view of Granada through Alhambra Palace window

cool inside, hot out

It stands on its hill overlooking the city and from the cool darkened interiors you can see Granada below, through ornate lattice windows, sweltering in the white light of day. It is an indoor coolness reinforced by the tile work along its walls, the lightness of the intricate plaster ceilings, the presence of water in the courtyards and the calm the architecture seems to bestow on its surroundings.

tree-like

Part of its magic is the way you are constantly made aware of nature, specifically of light and water, no matter where you are standing within the palace; either because you are catching glimpses of the exterior, the patios, the views, the distant trees, the reflecting pools, or because your eyes are absorbing the gentle reflections from the chest-high ceramic surround and the extraordinary organic plasterwork of the domed ceilings and the tree-like colonnades of random columns (they are not, of course, they artfully appear to be scattered).

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plasterwork of dome ceiling at the Alhambra

intricate and sublime

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delicate and voluptious

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The adjacent Generalife gardens also manage to maintain this fine balance of nature and architecture; no matter that you are outdoors, trees and hedges enclose you, lines of slender pillars appear and lead you into the welcoming shade of a domed space filled with mosaics. Birdsong and the sound of trickling water are all around you, and from certain vantage points, distant views of the Sierra Nevada, still snow capped, remind you of Washington Irving’s Tales of the Alhambra and the story of how muleteers used to bring ice down to the city in great blocks.

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distant snow-capped Sierra Nevada

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toe-dipping allure of the Generalife

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Water is an essential ingredient in this manmade landscape, an important factor in the life of a culture shaped in the desserts of North Africa and so its presence is everywhere, even flowing in the stone balustrade that leads down a flight of steps to the gardens, and which allows a descending courtier or Sultan to dip his fingers in it.

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stone balustrade with water running down the middle

finger-dipping stone balustrade

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ceramic toiles and plasterwork on wall of the Alhambra

ceramic and plaster

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laberynthine plasterwork

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tiled wall

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Granada itself is a wonderful blend of medieval streets winding up to the Albaicín, gothic and baroque churches, a commanding cathedral, noisy squares filled with cafes and restaurants, fabulous ice cream parlours, incredibly helpful taxi drivers, shops brimming with blue and white ceramics, and one bar in particular that serves ice cold beer in freezing earthenware vessels (an idea germinating in belatrova’s collective mind – could this be applied to a Dry Martini?).

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ice cold in Granada

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magnolia

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belatrova resting

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The visit coincided with Granada’s Corpus Christi festival – a five day period of celebrations and religious processions. In the Plaza Bib Rambla families roamed around the square sipping drinks and watching a puppet show with their children, their young daughters dressed head to toe in their flamenco outfits.

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the courtyard of the lions

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passion flower in the Albaicín

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It was an inspirational visit, and made us want to get back to our ceramics, our birdbaths, but mostly to our tiled tables which we will be launching as part of the Bankside Studios Summer Open Weekend on Saturday 11th and Sunday 12th July. Please pay us a visit, and you will also get to see the work of six other makers. Hasta la vista.

Art Nouveau, hospital hygiene and ceramic spotlessness

May 17th, 2015/0 Comments/in Blog, ceramic art, design /by Peter Arscott

hospital corridor or ceramic glory

It was not because of excessive drinking and dining that belatrova paid a visit to a hospital only a few blocks from Gaudi’s famous Sagrada Familia cathedral, but as a result of our unquenchable thirst for cultural knowledge and beauty. It is yet another surprise on offer in the city of Barcelona that a masterpiece of Catalan Art Nouveau, built between 1902 and 1930, happens to have played a significant part in the evolution of medicine as well becoming a World Heritage Site.

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ribbed ceramic ceiling

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looking up from the patient’s trolley

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main lobby entrance

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The Hospital de la Santa Creu i Sant Pau was founded in 1401 with the merging of six hospitals. Santa Creu, the Hospital of the Holy Cross, was right in the centre of the city but by the late nineteenth century, due to the rapid growth of Barcelona’s population and rapid advances in medicine, it became too small and thanks to the bequest of the Catalan banker Pau Gil, the first stone of the new hospital, designed by Lluís Domènech i Montaner, was laid on 15 January 1902. In 2009 it moved to new premises built in the north-east of the precinct and the Art Nouveau site was reopened to the public, after refurbishment, in 2014.

ceramic roofs of pavilion at Sant Pau

This city within a city contains twenty seven pavilions, each one assigned a specific medical speciality and linked to the others by means of underground galleries and tunnels. Muntaner assigned an area of 145 m to each patient, including the landscaped grounds.

restful motif

What grabbed belatrova’s attention was the care taken in choosing the materials in order to create the best natural surroundings for the patients, primarily ceramics with which to clad domes, roofs, ventilation shafts, the decorative pieces and walls inside and outside the pavilions. Inside, the ceramics serve a hygienic purpose, tiles make disinfection easier, and also function as a therapeutic element. The colours of the many motifs used in the panels and mosaics combine harmoniously and convey a feeling of quiet tranquillity.

ceramic-clad tunnel link

Thanks also to the extremely high thermal stability of ceramics, which belatrovians know can be fired at a temperature of approximately 1280°C, this results in extremely solid products; and the hygienically smooth surface glaze is wear and scratch-resistant and is thus resilient to the abrasive cleaning agents that are frequently used in the sanitary facilities of public areas. Even concentrated hydrochloric acid fails to leave a mark on ceramic, but please do not try that at home.

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the garden in Sant Pau

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Sagrada Familia from Sant Pau

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clock tower and facade

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Ceramic is even resistant to extreme temperatures, both hot and cold, which is why we at belatrova use it for our birdbaths so that, combined with a resilient oak plinth, they can withstand British winters or Mediterranean summers.

resilient but beautiful

Resistant to extreme temperatures, water resistant, easy to keep clean, colourful, ceramic tiles are perfect for outdoor tables.

detail of belatrova outdoor tiled table.

To reinforce our message that belatrova products are safe, hygienic, tough and practical here is a picture of a large coiled platter with some gilt headed bream about to be prepared for belatrova’s signature dish: “Besugo al horno con patatas “. Click on the left and you will be taken to a video recipe – and you can practice your Spanish at the same time.

Hasta Luego.

bream

three legs good

March 23rd, 2015/1 Comment/in Blog, bowl, ceramic art /by Peter Arscott

belatrova’s Manhattan three legged bowl

An early morning run or walk can be a way to set oneself up for the day – you are out there with the dawn chorus, a hint of Spring in the air, plans assembling themselves in your mind for the day ahead, perhaps a squirrel just out of hibernation crosses your path, you breathe in the clean air of a new day, and then, an unfamiliar experience, the earth beneath your feet is right in front of your face, greeting you painfully on the nose. You have fallen over. Looking around to make sure nobody has witnessed your collapse, you pick yourself up and limp home with whatever dignity you can muster.

bipedalism

“Human walking is a unique activity during which the body, step by step, teeters on the edge of catastrophe.” —paleoanthropologist John Napier

Just how do we two-legged creatures manage to stay upright while in motion, or even when standing still? How can we possibly keep our balance on those flippers we call feet? Come to think of it, we are rather top heavy too, so why are we not keeling over all the time? Apparently it is all to do with voluntary and reflexive, neural, muscular, and skeletal systems collectively coordinating so as to allow us to walk without a second thought. But we shall not go into that; we simply bring it up because it leads us to an important belatrovian issue that we propose to resolve here and now.

quadrupedal thing

Within the tightly knit belatrova team, harmony always prevails. No matter what the weather outside, or the music being played, or the occasional badly made cup of coffee, we all beaver away happily and get along. Tea breaks are relaxing opportunities for discussions on topics that range from underwater basket weaving to why on earth men have nipples, from the benefits of taxation in a functioning society to the lingering suspicion that chocolate may actually not be bad for one. Important subjects for debate, we agree.

However, there is one issue that consistently divides the team into two camps: the tripedalists and the quadrupedalists. Dear belatrovians, are three legs better than four? With the spirit of conflict resolution guiding us towards a hoped-for conclusion, research was undertaken and the results are the following:

Try this at home. With your hand slightly cupped, point your thumb, index finger, and middle finger upwards and then place a flat piece of card or paper on top of them. The card will lie on all three points. Now stick a fourth finger into this experiment (perhaps somebody else’s) to add another contact point. It is now a little harder to exactly fit the paper on the plane.

Conclusion – the triangle formed by the three fingertips is stable because no matter where any of the three points of the triangle lie, they will always define a plane. So, a three-legged stool is guaranteed not to wobble, because the ends of its legs always form a plane. Thus a camera tripod; no matter which height each leg is, you will get no wobble. Even on an uneven floor.

It’s much more challenging to make a four legged table whose fourth point of contact is in the same plane as the first three points. Any point that is added to that plane will make it harder for the plane to be stable. On some uneven floors it may be quite impossible for a four legged table to be stable if it gets moved about. Five or six legs would be even worse.

a perfectly balanced four legged table by belatrova

Quadrupedalistas, graciously accepting this explanation (despite some sarcastic mutterings about making three legged tables, birdbaths and lamps), have come around to the wisdom and logic of belatrova’s decision to make three legged bowls. Place one on any surface and your olives, peanuts or cheese puffs will not roll off due to wobble. What is more, the bowls carry a certain elegance that is a touch retro – 1950s perhaps?

three legged bowl

And talking of retro, MoseyHome are a new London outlet, and they are showing belatrova’s three legged bowls. Pay them a visit if you are in the area. You can also visit our “three legged” Pinterest board.

stability on legs

As for our monopods, our beautiful birdbaths, lamps and slab pots, they will be appearing in the next few months in Country Living and Garden Illustrated.

With only a month to go, we would like to remind you that we are opening the workshop to the public on the weekend of 25th and 26th April. You are most welcome to visit, and try your hand at making a tripedal bowl. We’ll be there with five other makers for this Open Spring Weekend:

Spring Open Studios

golfing for muralistas

December 12th, 2014/0 Comments/in Blog /by Peter Arscott

Chauvet cave – 30,000 year-old mural

Winter is closing in, but thoughts of warm Mediterranean weather have been circulating in the collective mind of belatrova. As well as making lamps and coasters for next year, we have been commissioned to create a ceramic mural for a house in Spain, and have been given a generously open brief.

Conventionally, a mural is any piece of artwork painted or applied directly on a wall, ceiling or other large permanent surface. And ceramic murals are traditionally made from tiles, but strictly speaking belatrova’s work will be a ceramic wall sculpture made from ceramic pieces using the wall space as a canvas and allowing the blank areas of the wall to play their part in the overall composition.

detail- legging it to Spain

The pieces are of different shapes and sizes, some abstract, some representational, and will be slab rolled as flat as possible without causing them to crack in the kiln – the larger the piece the more likely it is to warp or fracture in the heat, specially if there are stress points in the making which do not show up before biscuiting. Some preliminary tests have taken place, with interesting results. Here is a tantalizing detail of pieces so far that we have glazed (left).

And here below is a piece that nearly made it but cracked during glazing:

notice the crack between the eyes

The wall space is above a doorway in a hall and measures more than 2 x 3 metres. Foolish members of the team are very keen to accompany the pieces and install them, and have ostentatiously been bringing golf clubs into work to practice their swings because, you see, the house in question is next door to Spain’s best known golf course, Valderrama.

the ceramicist’s silent scream

Rudolph hit by golf ball

ball

belatrova did once play golf, in Richmond Park, and hit a deer with the only ball he managed to get into the air.

However, all this is in the future. What about the present? Well, it is an easy step from ceramic coaster making to tiles, and from tiles to tables with tiled tops. This is our first metal-framed coffee table with a ceramic surface made of nine glazed tiles in the Brushstroke Blues range. There will be more to come.

tiled table in Brushstroke Blues

coaster

tile

belatrova wishes all its supporters a very happy Christmas and a prosperous New Year. 2015 promises to be an even better year for us and we hope that will be true for all of you too.

Pope to belatrova

August 4th, 2014/1 Comment/in Blog, ceramic art, poetry /by Peter Arscott

belatrovians will know that we at No 9 Bankside are hard working and industrious and that we subsequently reward ourselves at the end of the week with a deliciously cold Dry Martini lovingly prepared by the Alcomeister hours in advance so as to reap the most from this sublime Emperor of Cocktails. We have also more than hinted at the excellent qualities of the Negroni in a previous blog. But today we will sing the praises of an altogether different drink and toast a man whose standing should be far better appreciated than perhaps it is. How does all this relate to art, design and craft?

Ross on Wye

Ross on Wye is a charming town on the northern edge of the Forest of Dean and perhaps the birthplace of British tourism when in 1745 the rector Dr John Egerton started taking friends on boat trips down the valley to appreciate the river scenery, its castles and abbeys, its precipices and its altogether picturesque environment. By the 1850s the Wye Tour established the area as a tourist attraction. The town is known for its independent shops, narrow streets and market square with its market hall. Opposite the church, the Prospect is a public garden offering a view of the famous horseshoe bend in the River Wye, as well as views of the distant Black Mountains in Wales.

The Man of Ross

The Prospect was created by one John Kyrle. He is without doubt the town’s most famous son (and we say this in the full knowledge that two of the founding members of Mott the Hoople were from Ross). He devoted his life to philanthropic works, introducing a public water supply to the town and laying out the Prospect Gardens. He also reconstructed and added pinnacles to the unsafe 14th century spire of the Church of St. Mary and gave it a magnificent tenor bell. He sponsored the causeway to the nearby Witton Bridge and set up funds for needy local children to attend school. Kyrle lived modestly as a bachelor on an income, it is said, of £500 per year. Apart from Kyrle’s charitable works and deeds, he also settled disputes, supported the schools, tended the sick and helped the poor. His public-mindedness also extended to beautifying the town and its surrounding landscape.

lisping babe

His life and good works were celebrated by the poet Alexander Pope in his Moral Essays written in 1732 and called him the ‘Man of Ross’, the name by which he has been known ever since:

“…Who taught that heav’n directed Spire to rise?  

The Man of Ross, each lisping babe replies.”

Now, Pope, though an interesting poet, was also a hugely influential landscape gardener and as the perfect representative of Augustan poetry he uses the same principles when it comes to landscape gardening. The Augustan style takes its inspiration from ancient Rome and Greece, emphasizing elegance, harmony, balance, formal strictness and simplicity. We are not just talking Geometry here but surely you’ll agree that it is one easy step from Pope’s harmony to the perfect balance of Mondrian‘s paintings (and to his New York connections) and thus to belatrova’s Manhattan range of ceramics and tables.

Mondrian

manhattan collection

And to celebrate these 18th Century geniuses why not raise a cocktail to them? Your 18th Century taste buds were likelier to go for the sweet rather than the dry, so, in keeping with the general theme, we thought the Manhattan hit the spot:

2 ounces whiskey (rye preferable)

1/2 ounce sweet vermouth

2-3 dashes Angostura bitters Maraschino cherry for garnish

Preparation:

Pour the ingredients into a mixing glass with ice cubes.

Stir well.

Strain into a chilled cocktail glass.

Garnish with the cherry.

Ladies and gentlemen, raise your glasses to the Man of Ross, and consider this: the pursuit of all that is excellent in design and harmony continues in Ross on Wye with the launch of a new gallery in the town centre. The Studio Gallery, open from the 16th August, is exhibiting ceramics, painting and high quality craft, and would love to see you. So would belatrova, whose work is on show there.

what you might see at the Studio Gallery

“Hope springs eternal in a young man’s breast: Man never is, but always to be blest.”

Alexander Pope

Languid June

June 30th, 2014/0 Comments/in art, art furniture, Blog, hand painted coffee tables, painting, pots /by Peter Arscott

belatrova feet up

The newly refurbished workshop space has come into its own, specially when the days have been hot and sultry and the cooler corners away from the kiln became more inviting. June highlights have been many and varied, both within the workshop and away.

cool for birds

Non-belatrova activities include Stuart’s exhibition at Nantgarw, a museum on the site of an old porcelain works. Entitled “White Gold” (Aur Gwyn) it includes fifteen different potters using porcelain, and can be visited until 17th August. Stuart (Mr Dynamo) is also showing at Abbey Dore from 20 – 26 July along with other artists as part of a mini Arts Festival there. It is open daily from 9.30 to 6.15 and admission is free.

terracota figures of the Apostles by sculptor Nick Pope

Nick Pope’s Apostles

And we all went down to Salisbury to the opening of Nick Pope’s wonderful sculptures of the Apostles Speaking in Tongues Lit by Their Own Lamps in the Cathedral; a grouping of 33 terracotta figures, each one identified by his personal character and attributes. Exhibited some years ago at the Tate, they have “come home” in this new setting, and look as if they had been there from the beginning. Still, rather than talk about it, belatrova urges anyone to pay them a visit when they are in the area, and to be there when the lamps are lit.

magic carpet at the R.A.

Those of you who are interested can also drop into the Summer Exhibition at the Royal Academy to see “Flying Carpet“, painted by Peter and selected by the panel – there is also some engaging ceramic artwork to be seen.

Back at the workshop we had fun making a batch of birdbaths and a couple of new coffee tables to match the Valencia and Manhattan ranges. As a result, in-house spray varnishing is now being mastered and the protective gear and mask required induce a great deal of sweating and panting which can only be assuaged by a cold drink, usually water but often something a little more interesting if it is towards the end of the day. We have discovered a new Friday evening cocktail: the Negroni.

birdbath just made

manhattan table

Oh, and one of the junior belatrovas made a memorable cake for her father, using a belatrova platter to serve it in, of course.

Dad’s birthday cake

So much to do, so little time. Roll on July

belatrova’s “Christmas Weekend”

November 23rd, 2013/0 Comments/in Blog /by Peter Arscott

display of ceramics at Hereford Contemporary Craft Fair

belatrova at the Contemporary Craft Fair

The Contemporary Craft Fair drew in large crowds throughout the weekend of 16th and 17th November and we were very pleased to meet so many of you at The Courtyard. Just about everyone we spoke to agreed that the standard of the exhibitors was of the highest order, attracting both the general public as well as galleries and the trade.

valencia range display

Many of you left us your names and emails to enter the daily prize draw, and there were three winners who have now all received their three legged bowls. Congratulations to Tony, Cathy and Martin.

a visitor at the Hereford Contemporary Craft Fair speaking to a member of belatrova

feedback

The feedback received was very positive, with the Brushstroke Blues and the Valencia ranges proving the most popular. There were so many enquiries about techniques, dimensions, colours and commissions that we decided to invite you all to come and see things for yourselves at the workshop at No 9 Bankside in Ledbury, when we will be open to the public from 10 to 6 on Saturday 30th November and Sunday 1st December. Perfect timing for those who want to buy that singular Christmas present, or order a pair of table lamps for the house or just spend £15 on a small but perfectly formed three legged bowl which has room for only two olives.

olives for two

tiny bowl, big banana

perfect for keys

Directions: follow the pink h Art signs off Lower Road or New Street into Little Marcle Road and onto the Bankside Industrial Estate. The postcode is HR8 2DR for those of you who use Sat Nav. There is parking available, and mince pies and wine – and you can meet Thelonius too.

Thelonius says “hi”