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Sizzle v Sausage

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Wave vase

Are you as confused as we are with emojis of giraffes in sunglasses, smiling coiled poos and aubergines? Well, relax. It’s just that the world of our cultural references is becoming increasingly visually based, that’s all. It’s a cliché that a picture tells a thousand stories, but what writing can surpass the photo of the workmen having lunch atop a skyscraper, or of the tank man of Tiananmen Square, or of the sailor kissing the girl in Times Square?

Segment vase

Which leads me to the more mundane issue of imagery and marketing. Images act as storytellers.  You can evoke an emotion by using a high-quality image that can then draw visitors to your website. They will take in the image, and in a split second decide whether the rest of your site is going to be relevant to them.

Eric

Though a long-standing colleague and friend says “it’s the sausage in the frying pan, not the sizzle that counts”, obviously using the image of a nightingale singing, or of Michelangelo’s David with tulips growing out of his head, or of a fat rat called Eric, or of a Hereford cow, or of a fish with an Elvis hairstyle, is not really going to encourage a visitor who is interested in ceramics to keep on clicking. All of which Peter Arscott Ceramics has been guilty of, despite warnings from Spiro, Head of Marketing.

Which explains the images at the top of this blog – visually stunning compositions that have been set up, photographed and edited by someone who knows her craft – click here for a link to her site. Your eyes stay on it that little bit longer, and that extra nano-second may be the difference between leaving or continuing. A post on social media accompanied by an image is ten times likelier to receive engagement.

Willow Pattern Protest Vase at the Oxmarket

It turns out that a big chunk of our brain spends its time in visual processing, in part because images can grab our attention so easily. When you clicked onto this blog, did you immediately start reading or did you look at the photos first? The theory is that our visual senses are the most active because quick processing of visual information would have saved our ancestors from an attack by a predator.

Willow Pattern Protest Vase (verso) at the Oxmarket

A quick visit to Chichester via the M3 and A27 is a real test of anybody’s visual processing: looking out for signs at the spaghetti-like interchanges and dealing with predatory lorries on their way to Southampton docks is a bit like going on a hunting expedition. One of our ceramics has been chosen for exhibition at the Oxmarket Open and had to be delivered to the Oxmarket Gallery, a deconsecrated church formerly St Andrew’s, in the heart of the city, and beautifully redesigned as an Arts centre.  The piece in question is a Willow Pattern Protest Vase – see relevant blog here.

The good news its that the ceramic was chosen as one of the joint winners of the Applied Arts Prize, selected by glass artist Adam Aaronson: an exhibition of ceramics in 2023 awaits. Watch this space. The other winner is Jane Eastell, whose instagram handle is @thepotterycabin_lm.

One of the few things saved from the redundant parish church of St Andrew, Oxmarket, was the memorial to John Cawley, which was moved to the cathedral where you can see it now. He was thrice Mayor of Chichester, and his son William (d. 1666) is also commemorated. William was a philanthropist and a staunch republican, signing Charles I’s death warrant. I think Cawley Senior’s expression is priceless, and probably not one that is meant to convey goggle-eyed confusion, but I can’t help feeling I’ve met him somewhere before..

I’ve resisted the temptation to sign off with a relevant limerick that starts with “there was a young woman from Chichester, who made all the saints in their niches stir…” because Spiro says it is too lewd. Instead, why not visit the cathedral which has a stained glass window by Mark Chagal, a tapestry by John Piper and a painting by Graham Sutherland amongst its collection of art.

But of all the monuments, the Arundel tomb is the best known – the inspiration for Philip Larkin’s poem of that name, and even though he himself said that love isn’t stronger than death just because statues hold hands for six hundred years, we can’t help reading the poem in that way:

… the stone fidelity
They hardly meant has come to be
Their final blazon, and to prove
Our almost-instinct almost true:
What will survive of us is love.

 And drop in to see the Willow Pattern protest vase too.

Disgruntled staff and fundraising

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Looking at some of the pieces that have recently come out of the kiln, like the one above, anybody might think that Peter Arscott Ceramics is keen on making work that displays the principles of movement, by showing flowing lines and edges that we find in the natural world. But it is rhythm and pattern in the mark making that is of primary concern and this sometimes leads to this impression of movement – repetition of elements or colours. We are just as keen on placing spots on the surfaces, which achieve the opposite, anchoring a design, like the one below.

Talking of repetition, staff meetings are held regularly at PAC. One was recently held to discuss stock levels. Over coffee, Thelonious (pug mill), Spyridon (marketing), Ziggy (fly control) and I agreed that there is nothing worse than having stock that is uncherished and unseen. Subsequently, we are going to display those pieces that didn’t quite make the grade, those “not quite right” vases, those skewed pieces, those stunted or, frankly, unresolved ceramics that have been lurking in some dark corner of the studio, forgotten and unloved but which will for once have a chance to have others cast their eyes on them and decide their worth.

Spyridon, Thelonious and Ziggy

Because all these stoneware vessels are fired to such a high temperature in the kiln (1270°) they are essentially vitrified and will withstand any temperature out in the garden. They are frost-proof. And you’d be surprised how good the most questionable ceramic can look once it has been strategically placed outdoors among shrubs and bushes, or on terraces, or on a balcony or windowsill with suitable plants in them. You may even like one enough to put on your kitchen table, but what I am saying is that despite their flaws they retain some allure if carefully positioned around or outside the house.

So obviously we are not going to charge you for any of these little ceramic orphans. No. We are going to ask those of you who come to see and take, to leave a donation in a box that will be left outside in the garden near the display. You can leave as much or as little as you like, but it will go to a charitable cause.

Thelonious wanted any money to go to a retirement scrapyard for old pugmills, Spiro pressed for donations to go to a home in Greece for retired goatherds, and Ziggy, despite our best attempts at explaining the idea of “charitable” to him, wanted to invest it all in a large glass maggot-breeding farm and fly dispenser. However, as the boss, I have decided that it should go to towards the Ledbury Poetry Festival Community Projects at the new Poetry House in Ledbury to help cater for the many communal events planned to take place there.

“What’s poetry got to do with pottery?” sneered the sulking Ziggy.

“The only difference is the letter t” I riposted.

“You’ve said that so many times before that it is no longer witty,” murmured Spiro.

“Yes,” added Thelonious, “you are repeating yourself quite often nowadays.”

“Listen, you lot,” I said with rising anger, “this is all a bit rich coming from a cast iron contraption that can only compress used clay! As for you, Spyridon, I haven’t heard you ever say anything witty, possibly because you are a third century goatherd and Bishop of Trimythous, but mainly (I suspect) because you are a figment of my imagination, one to whom I have entrusted this enterprise’s marketing campaign!”

There was a hushed silence in the studio.

“And Ziggy, don’t forget that, as a spider, you are here on sufferance because you keep the fly population under control.”

There followed murmured protests and vague threats of a strike, which (like the present government) I chose to ignore. Then my wife came into the studio with a suspicious look in her eyes and asked me if I’d been talking to myself again, which I denied. Perhaps I have been working on my own too much.

So, if you are interested, please make your way to Oakland House, The Homend, Ledbury, HR8 1AP and park on the road, if you are driving, by the gate, skip up the seven steps into the front garden and have a look. If anything takes your fancy, take it and leave your donation in the nearby box. The images accompanying this blog show some of the ceramics that will be on display. They will be there on Saturday 16th and Sunday 17thJuly, from 10am to 6pm.

For those of you wanting to spend as little as possible (hard times and steeper bills are heading our way, after all) there will also be some small three legged bowls to choose from, mainly from when Peter Arscott Ceramics used to be “belatrova” – you’ll find the “b” mark on those, as opposed to the PAC mark.

Although somebody will be at home , Covid has struck, so nobody contagious will come out to greet you. A forlorn wave from a window is all you might get, though staff, being  a machine, a figment and a spider, are not affected. Finally, and with Ziggy’s woeful attitude in mind, and because this is a ceramics blog, and because we have had a highly successful Ledbury Poetry Festival, I’ll finish with the part of the last stanza of John Keat’s poem, Ode to a Grecian Urn:

When old age shall this generation waste,

Thou shalt remain, in midst of other woe

Than ours, a friend to man, to whom thou say’st,

“Beauty is truth, truth beauty, —that is all

Ye know on earth, and all ye need to know.”

John Keats by William Hilton, National Portrait Gallery

song of the nightingale, buzz of the fly

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May view of Ledbury

A celebratory walk was needed after a successful glaze firing. The view from Bradlow Knoll down towards Ledbury this May afternoon was grey and cloudy. You can see in the distance the white shapes of the plastic used in the speeded-up cultivation of strawberries for the voracious soft fruit market, and, nearer, the sheep  which will end up on our dinner plates. Land maintained and exploited for the consumer’s benefit, which has made our landscape what it is today. This applies to Frith Wood as well, where dead trees are removed or left on the ground to encourage wildlife. This tree was 57 years old – I counted the rings.

A well-maintained wood.

It clouded over very quickly and started to rain, so it was dark walking in the wood, and there was little birdsong. However, it was not as dark as a few weeks ago when my daughter and I found ourselves with thirty others tiptoeing through Highnam Woods near Gloucester at midnight.

A walk through the woods at night vase

 It was pitch black. Not a sound could we make, no squeaky shoes allowed, or noisy clothing, no flashlights to be used, only the vague shape of the person in front to guide each of us in single file until we came to a small clearing and very carefully sat down. We had previously gathered around a campfire to eat, drink and listen to the environmentalist Sam Lee, who was leading us into the trees with one purpose only: to listen to a nightingale sing.

Nightingale. Photo: Carlos Delgado

Unlike the continent, the UK is seeing the slow disappearance of the bird, due to farming and land management activity, but primarily to the lack of thoughtfully maintained woods like Highnam, which is owned by the Royal Society for the Protection of Birds, and is a jewel, a remnant of ancient woodland that is carefully managed in order to keep a balance between mature trees and traditional coppice.

Doodle vase just out of the kiln.

Our nightingale sang his heart out, though not for us. Only male birds sing at night, in order to woo the females – if you hear one still singing at the end of Spring, that means he didn’t get the girl and he’ll be a Summer bachelor. Ours was a Pavarotti, with the most amazing technique, and the sound was clean and clear and strangely affecting. Click here to listen, and if you are interested in going on a Nightingale Walk next Spring, have a look at the Nest Collective website here.

Posture vase

From beautiful sounds to irritating ones: is it me, or are the flies out early this year?

They keep zooming into the studio uninvited, hurling themselves against the windowpanes again and again, and buzzing at a particular pitch that keeps you from concentrating. Eventually you spend too much time trying to swat them, unsuccessfully, and getting more and more frenzied and unfocused.

Fl-eye view

Like most people, I know flies have those compound eyes which allow them to see what’s coming towards them no matter at what angle or speed, so that by the time they’ve swerved the blow of a rolled-up newspaper, they’ve had time to read the print. Ok, so flies are important pollinators, second only to the bees, but house flies, commensal with humans all over the world, spread food-borne illnesses. And they are an annoyance especially in some parts of the world where they can occur in large numbers, buzzing and settling on the skin or eyes. Did you know, and I’ve looked this up, that the fly’s taste receptors are in the labium, pharynx, feet, wing margins and female genitalia, thus enabling it to taste your food by walking on it?

Research on your behalf also uncovered this: the Sardinian cheese casu martzu is exposed to flies so that the digestive activities of the fly larvae soften the cheese and modify the aroma as part of the process of maturation. Banned by the European Union, the cheese was hard to find, but the ban has been lifted on the grounds that the cheese is a traditional local product made by traditional methods.  And why not? The sustainable food of the future is the insect.

Swat vase

Do flies, do insects, have much to do with the history and development of ceramics? Not as far as I know, this is just another long and rambling lead-in to my latest batch of vases out of the kiln. I think you’ll agree that the piece above has been influenced by fly-swatting.

Hello vase

From bird song to buzzing to mooing: more PCA ceramics at the Palais des Vaches in Exbury, where you can also see a unique coffee table made with tapering beech legs, the top being sealed, and hand painted with acrylics. Three layers of heat-resistant varnish ensure that hot mugs of coffee will not mark the surface, though coasters are recommended. The surface is easy to clean.  It could be described as a horizontal painting on four legs, and certainly you get a lot of pleasure from simply looking down on it and enjoying the colours

Unique PAC hand-painted table at the Palais des Vaches

Other work at the Palais includes this large sculptural piece:

Porthole vase

And to finish, a poem from childhood:

“Will you walk into my parlour?” said the Spider to the Fly,
“‘Tis the prettiest little parlour that ever you did spy;
The way into my parlour is up a winding stair,
And I have many curious things to show when you are there.”
“Oh no, no,” said the little Fly, “to ask me is in vain,
For who goes up your winding stair can ne’er come down again.” (Mary Howitt)

Ruby my Dear vase at the Coastal Gallery

Well, I couldn’t resist finishing off with John Keats:

“Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call’d him soft names in many a musèd rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!”

November news

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Potter Pete’s foggy day

Sitting on CJ’s bench and looking down at Ledbury from Bradlow Knoll was an autumnal experience in that it was misty, mellow and mushroomy, and there were no sheep bleating and no birds singing – everything was wrapped in a dull light that seemed to smother any sound, as well as the view. It is pleasing to see how a well-worn path has established itself and forked off the main path towards the bench – obviously it is well used, and the many backsides will add a patina of polish to the wood as time goes by.

fly agaric

November is a little late for mushrooms but there are still a few hanging around in the woods daring you to pick them, and there is that strange damp, rotten-wood mushroom whiff that appears at this time of the year. The one that stood out was a Fly Agaric that had had its edges nibbled by something – strangely, since they are somewhat poisonous, specially to insects. In northern European countries it was used to keep flies off the milk, thus the name, and it can induce psychedelic episodes in those shamans and hippies who ingest it.

Old Man’s Beard

Lots of ‘Old Man’s Beard’ along the path, named after the fluffy seed heads that can be found in the autumn and early winter, it’s a wild clematis that produces a mass of scented, white flowers in late summer and is pollinated by bees and hoverflies. Owing to the fact that the dry stems draw well and do not burst into flame, cigar lengths were smoked and hence it is also called Smoking Cane. But it is best known as Traveller’s Joy.

The main gallery at the Oxmarket, Chichester

And thus, dear reader, this seamlessly leads us on to the joy of travelling along the south coast on the A27 delivering my ceramics to some wonderful galleries, two of which we have visited before in this blog. However, Chichester provides a new outlet in the wonderful Oxmarket Gallery, a medieval deconsecrated church which has existed since the 13th century and was used as a church continuously until the mid-20th century, when wartime damage forced its closure.

Kilter vase at the Oxmarket

It was restored and converted into an arts centre opening as Chichester Centre of Arts, later renamed Oxmarket Centre of Arts. It’s right in the middle of Chichester, with a large car park conveniently next door, and an exhibition space that is airy and light.

Flower vase at the Oxmarket

Yes, Chichester, medieval town of narrow streets and birthplace of Tim Peake, British astronaut, and of William Huskinsson MP, whose statue stands by the river Thames in Pimlico Gardens, London, opposite the old Battersea power station – a nineteenth century politician and statesman, an eminent financier, Corn Law reformist and parliamentary reformer.

William Huskinsson, National Portrait Gallery

He was struck by George Stephenson’s Rocket at the opening of the Liverpool and Manchester line, and thus one of the first casualties of the railway age. It turns out he was born a few miles from the studio, in Birtsmorton Court at the foot of the Malvern hills.

Klee vase at the Coastal Gallery

On my way to the Coastal Gallery in Lymington, I stopped off at Arundel for the first time and had a close look at the castle and Catholic cathedral which are so striking when seen from the main coastal road. The Coastal gallery now have a partnership with the Palais des Vaches gallery in Exbury, Hampshire, and are showing work there too.

The stuff one learns on one’s travels. Did you know that Arundel’s river Arun is full of mullet, which is why its residents are known locally as mullets? I am referring to the fish, of course, and not the hair style so popular in the 1970s – those of you old enough will remember that finest of all mullets, which sat on the head of footballer Kevin Keegan and no doubt added some aerodynamism to his famously speedy runs up the pitches of the UK and Europe.

Garden vase at Cameron Contemporary

Back along the A27 and to the tranquil, upmarket town of Hove to deliver ceramics to the Cameron Contemporary gallery meant driving through a crowd protesting outside a secondary school at Covid vaccinations being given to children. Many banners, much shouting and a leaflet was handed through the car window. Still thinking of my visit to Arundel, I said I’d mullet over.

Chinese willow pattern protest vase 2

Back in the studio in Ledbury, and with protests in mind, I decided to make a bigger Willow Pattern Protest Vase with the conventional images on one side and the subversive ones on the other (I made an earlier version, see March blog). The firing went well and there was hardly any warping in the arms of the vase, those thinner more exposed parts tend to be affected by the heat than the main body of a work, so it was pleasing when it came out unscathed.

Willow pattern protest vase 2 – detail

You might want to see pearl mullet swimming upstream to spawn, Admirable little creatures, bless ’em – they don’t deserve having a bad hair style named after them.

Meandering

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The Leadon, which gives its name to Ledbury.

It was a clear, bright September morning, perfect weather for a long walk, but the thought of trudging up Bradlow Hill for a view of Ledbury overcame any remaining willpower and my feet took the easier option, leading me in the opposite direction, across the bypass and along the (flat) Leadon River walk to the east of the town.

Leadon – Celtic word for ‘broad stream.’

Maybe I would spot a kingfisher, or see fish jumping, or some riverbank fauna. Perhaps it was the lack of recent rainfall, and it could simply be seasonal, but the Leadon was a trickle of its usual self, and looked muddy and, frankly, dead. There was no life in it, no fish, no birdlife, and I wondered if it had suffered another watercourse pollution incident like the one in 2016 which killed more than 15,200 fish after 100 tonnes of digestate had been pumped onto a field and had flowed into the Preston Brook, which in turn flows into the river Leadon.

A tributary to the Severn river

There have been efforts in recent years to help the Leadon thrive as a salmon river. In 2009, thousands of salmon were released, and two small weirs were installed near Ledbury, which were designed with salmon in mind to overcome barriers to migration. Also, roach, chub, and dace were added to the mix. Most fish recently re-stocked into the Leadon have been non-migratory species, commonly called ‘coarse fish’

fish vase – if only the Leadon were like this

So, I wonder if there is a problem, or whether my observations are not accurate, but I would have been very happy to spot any fish, even a ‘coarse’ one. I will return later to see if this is just a seasonal issue.

Three legged ‘Coarse’ fish bowl at the Bevere Gallery, nr Worcester

A tiny bridge leads onto a footpath which meanders away from the river and town, towards Little Marcle, with a distant view of the viaduct to the north. Five million bricks were used to build the thirty round-headed arches on their piers in 1859. It was built for the Worcester and Hereford Railway Co, the bricks made on site from the clay dug out for the foundations by a local company owned by Robert Ballard. Seeing the builders hanging by ropes as the structure went up, locals referred to the camp where the men lived (near what is now Beggar’s Ash) as Monkey Island.

5 million bricks = 30 houses

A Mrs Richards, who was meant to perform the opening ceremony in 1860, was left behind by the special train that was meant to bring her to the event. She did get there eventually and laid the final brick using a silver trowel – I wonder if she was allowed to keep it?

the foaming top of the Heineken fermenter

The footpath leads through Haygrove Farm where land has been turned over to vineyards, as well as to the traditionally grown local fruit, and then onto the Little Marcle Road which you can take back into Ledbury, passing on your right the huge Heineken plant which gives off a heady scent of old cider. In fact, I noticed that one of the giant containers was spewing froth from its open top, no doubt all part of the process, but looking like a colossal tankard of foaming beer. The robust fencing prevented me from tasting the foam on your behalf.

large warped vase

As you may remember from previous blogs, not everything that comes out of the kiln is perfect, and mentioning beer and cider brings to mind one recent large piece in particular that emerged meandering and twisted like the Leadon, looking as if it had spent too long in the pub and looking for a fight. If you saw the vase in the image above side on, you would see what I mean. On the other hand, the next one came out of the kiln looking good:

Green vase

These pieces are not necessarily practical but fun and visually interesting – eye-catching in the way the conventional shape of the vessels has been altered before they reach the kiln. Here are some early examples:

Ruby my dear

People might look at these objects and consider whether they could use them or not, or whether they just go for them because they are sculptures that fill a space in an interesting way.

Striped splash pot

People take them home, sometimes placing them in a particular place in a room, say a mantelpiece or a shelf, or putting flowers in them and changing their position every now again. The work swings between functionality and abstraction – this is what gives it its allure. It’s playful.

Jumble vase

A man walks into a seafood shack cradling a salmon and asks, “Do you make fish cakes?”
“Yes, of course,” the server replies.
“Great,” says the man, “It’s his birthday!”

Welsh jaunt

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the glass-like mouth of the Ogwen

I believe fish are craftier than their glass-eyed gaze seems to indicate. Fly fishing is the art of luring a fish onto the hook by making it believe it is a true fly dancing on the surface of the water when in fact you, the fisherman, are the puppet master in control. But this never happened during our week-long stay in Penrhyn on the Menai Strait near the mouth of the Ogwen River. Even during the optimum time when the sea trout fed as the tide rose and entered the river, not one bite was had.

hope over experience

Fish are cleverer than they appear. Fish hold records for the relative brain weights of vertebrates, and most vertebrates have similar brain-to-body mass ratios – except for the bony-eared assfish which has the smallest ratio of all known vertebrates (I’m not kidding, this is its true name and it has endured eons of Piscean teasing as a result). Yes, fish know all about deception, distraction display, false courtship behaviour, death feigning, numeracy (look up the mosquitofish), play, food stocking and fisherman taunting.

the unfortunate assfish

We could see them jumping down river, or if we went down river, we’d see them upriver. At one point a large sea trout jumped right out in front of us, ignoring the lure, checked us out and decided we were harmless enough. We had better luck at the Bangor Seafood Co.

the cool Ogwen

fowl mocking

All unsuccessful fishing activity was witnessed by the many swans which live in the tidal sea by the mouth of the Ogwen. They are joined in the evenings by gulls and other sea birds and together create a chorus of plaintive sounds which are very melancholic but could be interpreted as the local wildlife jeering.

Ceramically, the whole experience is well summed up by the wavy green vase: lots of water but no fish, and the colours reflect those in the landscape, as in the image below.

But back to the Penrhyn area – it had been owned by the Pennant family until death duties forced them to hand over the 40,000 acre estate to the National Trust in the 1950s. The family had owned Jamaican sugar plantations since the middle of the seventeenth century, becoming established as merchants in Liverpool and London, while benefitting from the hundreds of enslaved African people working for them.

bust of Richard Pennant

Richard Pennant (1737–1808), MP for Liverpool, invested the Jamaican profits in his agricultural estates and set up the Penrhyn Slate Quarry and built Port Penrhyn. He also built roads, railways, schools, hotels, workers’ houses, churches and farms, but still campaigned against the abolition of slavery. When slavery was finally abolished, the family received £14,683 compensation for 764 enslaved people on their Jamaican estates.

The real Pennant with his dog Crab, by Henry Thomson

The Penrhyn quarry was the world’s largest slate quarry in the nineteenth century, its main pit being 1 mile long and worked by 300 quarrymen, who went on strike over pay in 1900. There was a massive gap between the wealth of Lord Penrhyn, living in his splendid castle, and the poverty of his workers, who lived in local quarrying communities. The strike lasted 3 years, the biggest in union history, until many returned to work out of hunger; but production was soon overtaken by foreign quarries and the decline set in.

the beach

Nowadays it is home to the fastest zip line in the world, Velocity 2, where you can fly 500m above the bright blue quarry lake, blue because of the dissolved natural minerals – copper sulphate. Other activities undertaken included a visit to a butterfly house on Anglesey where we met a chameleon.

Kevin

And slate lies everywhere in Penrhyn – great slabs on the shore of the straits when the tide is out or washed over by the cool river water of the Ogwen, or used as fencing in fields, or just highlighting the green of the landscape with its dark presence.

groyne

On the tidal beach at Penrhyn the remains of old timber palisades or groynes still stick out of the sand. These groynes were constructed more or less perpendicular to the shoreline to restrict the movement of sediment along the shore but have long ago rotted away and now look like the ribs of some monster.

the path down from Bradlow Knoll

The familiar landscape back in Ledbury was a contrast, with all the varieties of green on display, and trees and meadows at their summer’s peak. Climbing up to CJ’s bench was a slog after the excesses of our Welsh break, but the view was rewarding, as ever, and a remider of how varied the landscapes of this island are.

the eight bells

Another view that required a hard slog up hundreds of steps was a visit to the top of St Michael’s tower in Ledbury, only recently opened to the public after a successful fundraising campaign to repair the eight bells and reinforce the structure.

looking up at the tip of the spire from the bells platform

looking up at the tip of the spire from the bells platform

Ledburians who read this blog, I climbed those steps so that you do not have to, but if you still feel compelled to do so yourselves, then I recommend it, not least for the view you get of the town from the parapet around the base of the spire.

Ledbury from the tower of St Michael’s

Lastly, if you fancy reading another short story of mine, this one was published by Fairlight  Books. Fairlight make all of the stories on their website freely available to readers, their aim is to fight the corner for the short story as a form of literature which is often hidden behind paywalls, and to promote and support the writing of these authors. Just click here.

 

Hwyl fawr

The jumble vases of Mud Month

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panoramic view from Bradlow Knoll

Apologies for the brevity of this month’s blog, which like the month of February itself, seems shorter than others and lacking a defined personality. Unfair really. After all, had it retained its original Old English name of Kale-monath it would be forever associated with brassica as Cabbage Month, which we can assume was the daily culinary highlight for the medieval English but must have been an off-putting addition to the domestic winter fug within.

muddy path

The other Old English name was Solmonath, which literally means “mud month.” Whichever way you look at it, February does not come out smelling of roses, until the Romans arrived and thankfully renamed it . So, thank you Romans. They named it after the festival of purification called Februa, during which people were ritually washed.

jumble vase

Three facts about February: in Welsh, February is sometimes known as “y mis bach” which means “little month.” It  is the only month where it’s possible to go the entire time without having a full moon.  February frequently occurs in lists of the most commonly misspelt words in the English language

dinosaur legs

However, Frith Wood. It was a cold day, as you can probably tell by the images, and my powers of observation were subdued. The only thing that drew me out of my reverie was the appearance of two giant dinosaur legs wearing green socks. The “green socks” of moss around the two tree trunks struck me as strange. The moss seems to only grow to a certain height before it applies the brakes and comes to a dead halt: “this far and no more”. Possible explanation? The air within 60 centimetres of the ground is moist because water is constantly evaporating from the ground, so moss, lazy like everybody else, just hunkers down and laps it up. Anybody with a better or more scientific explanation please tell us.

another jumble vase

So, to ceramics (about time, says Spiro). Two larger-than-usual vases came out of the kiln this month, and they do look different. They are part of a series called “jumble vases”, made from stoneware slab-rolled and cut into different shapes which are then applied to each other in such a way that the final piece looks as if it’s made from five or six different vases.

jumble vase showing its decals

After the piece is bisque-fired, each “fragment” is hand painted, then the whole piece is dipped in transparent glaze and fired at the usual 1275 degrees. When it comes out, the areas that have been deliberately left blank then have decals applied. These are fine transparent designs which are soaked in water then carefully placed on the glazed surface. Then the vase goes back into the kiln and fired to 800 degrees.

jumble vase 2

They are sculptural, visually arresting, but also practical, since you can fill them with water and put plants (or other things) in them.

things to put in a jumble vase

Lastly, if you’ve ever heard of flash-fiction (a self-contained story under six hundred words, in this case) and you are interested enough, you can read one of my stories at 365 Tomorrows by clicking here. They are an online site publishing science fiction in all its incarnations, from hard sci-fi to cyberpunk and beyond.

cyberpunk (benign)

Spring is around the corner, snowdrops have appeared, crocuses are out, next the daffs, and then it’s Summer. Antio sas, as Spiro the Greek says.

crocus sativus

Clay is good for you

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view of ledbury from Bradlow Knoll
May Hill on the horizon

You can see May Hill on the horizon when you stand on Bradlow Knoll and look down towards Ledbury and the Cotswolds beyond. In the image you can see it slightly to the left of centre, with its distinctive clump of pines standing out from this distance like a pimple, It is where Edward Thomas wrote his poem Words, not long before Ledbury-born John Masefield referred to the outline of the pines in his Everlasting Mercy:

I’ve marked the May Hill ploughman stay

Here on his hill, day after day

Driving his team against the sky

charcoal drawing of Mayhill in Glouycestershire
Mayhill ploughman (imagined)

I don’t know about Masefield, but Thomas was certainly a great walker and I often wonder if he ever took this path. If he did, I’m sure he took it in his stride.  I am not a hypochondriac but every time I climb the hill to Bradlow Knoll to reward myself with the view of Ledbury I seem to need a longer break to recover my breath and my heart thumps away even more in protest at what I am making it do. A few days ago I sat by the top gate gasping away and thinking of how complex the machinery of our body is, and how all our bits and pieces are connected, rather like an engine – you know, the lungs draw in air and deliver oxygen to our blood, the blood circulates thanks to the heart pumping away, the kidneys clean the blood of toxins, and so on. I thought that if my body were an engine then it would be a second hand and slightly rusty ford escort given to early morning ignition problems and always needing an oil change.

image of small toy car
ol’ engine

And sometimes I feel like some ol’ engine, gone and lost my driving wheel, as Tom Rush sang all those years ago, but really it is an excuse to give you a link to the great song if you click here.

cool, dank and very quiet

And where is this going, and where is the connection to ceramics? I do not know yet, but nevertheless, and in the meantime, let me continue with our bodies, their complex needs and some of the problems to which they give rise: ulcers, sore throats, haemorrhoids, high blood pressure, allergies, for example. Well, having got my breath back, I turned away from the panorama at my feet and entered Frith Wood – cool, dank and very quiet – and came across a lot of these small mauve plants growing low to the ground. Self-heal, heal-all, slough-heal and woundwort are all common names for prunella vulgaris, and it is said to help cure all the above, as well as burns, insect bites and herpes.

prunella vulgaris

It is mainly used for sore throats, even severe ones like quinsy, which is an abscess of the tonsils. It is good as a hot tea at the beginning stages of a cold with sore throat. Apparently, self-heal tastes slightly bitter and slightly sweet with a hint of rosemary.

Are ceramics as good for you as prunella vulgaris? Well, potters are the only people, other than children, who play with mud, a base material that is malleable, sensuous and expressive, and, as a result, I reckon the feel-good factor plays a part in reducing stress. Making a clay pot and drinking a self-heal tea is a perfect combination that will lead to improving your quality of life.

dish with knife and fork with lump of clay in middle to illustrate geophagia
geophagia

Now, do not get confused and start putting clay in your mouth instead of the tea. Pregnant women sometimes crave dirt, clay or charcoal if their bodies are deficient in key minerals but geophagia, as it is called, is best avoided.

Ruby my dear – irrelevant, but I wanted some colour

Clay comes in many varieties for the potter. The type one uses depends on the firing temperature, and mine is high so I use stoneware, and because I am a slab potter, I need a certain robust quality which grog provides, tiny pieces of malachite or firesand or chamotte, which has a high percentage of alumina. Anyway, it may taste OK  but I do not even take furtive licks. Quartz, feldspar, mica and kaolinite are other minerals you may find in stoneware. Since I fire my pieces at 1275°, they are vitrified and entirely food safe once glazed, and you can then lick them without harm.

meandering tree design / Coastal Gallery

All this walking in the wood seems to have somehow crept into the vases, a fusion of Paul Klee and a meandering rambling design. This one above can be seen at the Coastal Gallery in Lymington. Click here.

do not lick

By way of contrast, there is ragwort. I came across this clump in a clearing near the edge of the wood. Ragwort is a tall erect plant bearing large flat-topped clusters of yellow daisy-like flowers. Do not lick them! Cattle and horses are particularly susceptible to its poisoning.

A type of ragwort was introduced into the UK from the slopes of Mount Etna around 1690 via the Oxford Botanic Garden where, following many years of cultivation, it  ‘escaped’ and could be found growing in the masonry of Oxford colleges and walls. During the Industrial Revolution, Oxford became a thriving railway centre and Oxford ragwort found a new habitat in the clinker beds of the railway lines that fanned out of Oxford to all parts of the country. The clinker providing the plant with a replica of the lava-soils of its native home in Sicily and, to be fair, it should not be confused with the common ragwort. I do not know which type the Frith Wood ragwort is. Perhaps Bridget of Malvern or another of you botanical savants could tell me.

stinking Bob

Please forgive my botanical meanderings. I just love the names. Herb-Robert is a quick growing plant with explosive seed pods which if allowed to flower, will spread rapidly over a wide area. Also known as red robin, death come quickly, storksbill, fox geranium, stinking Bob, squinter-pip, crow’s foot. Fabulous names.

Autumn cocktail

There was a lot of bramble about, just beginning to flower, so the blackberries will be out by September. To look forward to this I suggest a Bramble cocktail, to be made when the hedgerows are groaning with ripe fruit.  Start by squashing six  blackberries in a sturdy glass. Add 50ml of good gin, 25ml lemon juice, 25ml sugar syrup (you can just dissolve some sugar in water) and fill the glass two thirds with crushed ice. Mix with a long-handled spoon. Top with more crushed ice, a blackberry and a paper straw.

three legged bowl at Bevere Gallery. Click here

I always try to say no to gin – but it’s 42.5% stronger than me.

landscape vase

Free ceramic pieces

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Hello all. Those of you who live near the studio can help yourselves to a ceramic piece if you are passing by the house. As you can see from the view from The Homend, all you have to do is climb four steps and take a vase or bowl. They are all rejects – some have hairline cracks, others are wonky , some cannot stand up straight and some are plug ugly. They are all frost proof and can be used in the garden.

Address: Oakland House, The Homend, Ledbury HR8 1AP. There will be a donation yoghurt pot – all proceeds will go to CUP Ceramic Community in Hereford

help yourself

The winner of the three legged bowl (see previous blog) identified three birds correctly: great tit, blue tit, cock pheasant. The fourth was a black cap. The winner is a Mr A.Lloyd of London. Well done.

ankle-deep in bluebells (Part 2)

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Frith Wood

I apologize for this second blog in one month but, you see, I never know how many people read this, so, when somebody actually makes contact (info@peterarscott.co.uk) I am taken by surprise. Anna got in touch after the last one; she is a potter in Manchester who lives in a small flat in the city and she liked all the references to the countryside, mainly because, for her, the outdoors are inaccessible at the moment and she enjoyed the pictures of Frith Wood and even found my comments acceptable, and not at all flippant. She wants more. So, Anna, this is for you.

Queen Anne’s lace or Cow Parsley?

The first thing to point out on your way up the road towards the gate that leads to the steep meadow up to Bradlow Knoll is the appearance in just a few days of Queen Anne’s lace and Cow Parsley growing along the verges. The former is said to have been named after Queen Anne, who was an expert lace maker. When she pricked herself with a needle, a single drop of blood fell from her finger onto the lace, leaving the dark purple floret found in the flower’s centre. Its root is edible when young and similar to a carrot, but it is easily confused with Poison Hemlock, which is deadly, so best not to bother eating it. Stick to your local supermarket.

effort rewarded

Since the last visit to the wood, Bradlow Hill has become even steeper. This means that before you can turn to look down at the view of Ledbury at your feet (the reward for all your uphill effort), you have to sit amongst the sheep and their calling cards and take deep mouthfuls of air. Never do lungs seem more like bellows than when you need air, and never have they been more appreciated than in these Covid times. They are fabulous organs and have climbed the rankings in the “Favourite Organ” league to overtake kidneys, spleen and bladder. The appendix, surely, is bottom of the league. By the way, the other reason for contacting me is to challenge any drivel I come up with. Is the appendix an organ? There is a comment box at the bottom of the page if you want to avoid emailing me.

mayflower

From the top of the hill, with the gate that leads into the wood at your back, the view is now speckled with white as the hawthorn hedges start to show off their mayflower bloom. A frequent shrub for hedgerows in this country as it is an effective barrier against livestock, in this case sheep, thanks to its twisted, thorny branches. The Bradlow sheep were unbothered by this and were using its shade to take a nap in or for scratching their posteriors.

the laid-back denizens of Bradlow
a sea of stitchwort

I could tell something had changed from the last visit. When I entered the cool dark of the wood and allowed my eyes to get used to the gloom it was obvious that the bluebells were in decline. Instead of the profusion of blue, a newer carpet of colour had taken over: white stitchwort taking in the light through the thinly leaved canopy of the woodland. It was once used as a herbal remedy for a stitch (the pain sometimes felt in the side during exercise), hence the name ‘stitchwort’. Also known as “Star-of-Bethlehem” and “daddy’s-shirt-buttons“. Do not pick them – if you pick greater stitchwort, you will cause a thunderstorm. I shall return to them next month when their seed capsules ripen and start making popping sounds. They could be mistaken foe wood anemones, a mistake I made, but I was steered away gently by Bridget of Malvern – for which many thanks. Misinforming Anna of Manchester is not what I want.

birdies in Frith Wood

Deep in the woods the birds were singing away as they do. I stopped and recorded a minute’s worth for you. If you can identify correctly three of the birds (there are in fact four) and send me your answer in an email (see above), the first correct answer will get a prize. You may have to turn up the volume. Sadly, Mr W.B. cannot take part, being our go-to expert who officially identified the birdies. Ladies and gentlemen, this three legged stoneware bowl shall be sent to the winner. Hand painted and glazed, part of the Hudson series, slightly retro, in a good way, American abstract expressionist in character. 23 x 23 x 8 cms (0.75 g). Normally retails at £60. How can you resist the challenge?

win this fab three legged bowl

The Yellow Archangel is another plant that comes into bloom as the Bluebells are fading, it probably gets its name from its virtue of not stinging, despite being part of the dead-nettle family. Here’s a picture of some amongst the few Bluebells left. Is that single pink flower a Herb Robert?

Yellow Archangel

Further and deeper into the wood a yew tree leans into the path. These old trees can live for centuries and often harbour badger setts among its roots. The badger, “that most ancient Briton of English beasts” (Edward Thomas), is not seen very often – it is nocturnal and secretive, often associated with The Wind in the Willows in his dressing gown and slippers, but by others, including some friends, blamed for many criminal acts in gardens.

only yew

One friend is surprised that after years of country-dwelling we haven’t learned that every act of seemingly pointless rural vandalism is always caused by badgers. Furthermore, and to counter the “cuddly” view of badgers, another friend quotes Beatrix Potter from The Tale of Mr Tod:

rural thug

” . . . Tommy Brock was a short bristly fat waddling person with a grin; he grinned all over his face.  He was not nice in his habits.  He ate wasps nests and frogs and worms; and he waddled about by moonlight, digging things up.  His clothes were very dirty; and as he slept in the daytime, he always went to bed in his boots.  And the bed which he went to bed in, was generally Mr Tod’s.”

I’m not sure how bucolic I’ve been, but I hope you enjoyed it, Anna. I even squeezed in a ceramics reference, which is, after all, the point of this blog. Lastly (and here I am blowing my own trumpet, I know),  if you are in the mood and like short stories, let me introduce you to The Common. It is a literary organization whose mission is to deepen our individual and collective sense of place. Based at Amherst College, it aims to serve as a vibrant common space for the global exchange of ideas and experiences and publishes works that embody particular times and places. It has published one of my short stories. Please click here if you would like to read it: Malus

malus

Thank you, keep well, and keep off the Hemlock.

A policeman saw a man driving around with a van full of badgers. He pulls the man over and says… “You can’t drive around with badgers in this town! Take them to the zoo immediately.” The man says “OK”… and drives away. The next day, the officer sees the man still driving around with the van full of badgers, and they’re all wearing straw hats. He pulls him over and demands… “I thought I told you to take these badgers to the zoo yesterday?” The man replies… “I did . . . today I’m taking them to the beach!”