Resilience (ελαστικότητα)

belatrova, art for living, and “a good half of the art of living is resilience” (Alain de Botton).

children playing around coffee table

coffee table resilience

With austerity uppermost on European minds our thoughts turned to contemporary Greece and the hard times its citizens are going through. And because our minds often drift in the workshop, we started thinking about ancient Greeks, and not just about their pottery and sculpture, nor about them going around in togas eating grapes, but about their influence on our thinking.

statue of Laocoon and sons

Greek struggle (Laocoon & sons)

Resilience – that chief weapon of the Stoic and Cynic philosophers who stated that much emotional suffering is caused by mistakenly assuming external things are directly under our control. However, if you remember that only your own actions are truly under your control and external things are not, then you will become emotionally resilient and achieve a kind of happiness. Whatever does not kill me makes me stronger.

Resilience, that is what everyone needs as we face the year 2015.

painting by Waterhouse of Diogenes

Diogenes by Waterhouse (detail)

Which brings us to Diogenes of Sinope (c.400-c.325 BC) who denied pleasure and physical wealth for asceticism and had the nickname ‘the dog’ because of his shamelessness. He used to live in a wooden barrel with only possessions a robe to wear and a stick to walk.

It is unlikely Diogenes would ever have been a belatrova customer but we like to think that he might have approved of our use of that humble material, wood, a material that has evolved over millions of years to withstand the worst that weather can throw at it, with the possible exception of lightning. He would have spent time gazing at the beauty of our oak birdbath plinths as he undoubtedly did his own wooden home as it changed in appearance after years of exposure to all sorts of weather, because oak is extremely resilient and can be easily left outside both during strong sun and rain, and even snow and hail. See what a difference a year has already made to this belatrova “blackbird” bath:

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ceramic birdbath on oak plinth

new birdbath

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birdbath after a year's exposure

weathered by time

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On the other hand, when it comes to our tables, though we use robust beech legs, and though we know external factors are beyond our control, we do improve the odds by making decisions that minimize any unforeseen impact. We do not use oak or beech for the tabletops but rather medium-density fibreboard (MDF), an engineered wood product made by breaking down hardwood or softwood residuals into wood fibres, combining it with wax and a resin binder, and forming panels by applying high temperature and pressure. MDF is isotropic; its properties are the same in all directions as a result of no grain, so no tendency to split. It is consistent in strength and size, flexible, it shapes well and has stable dimensions, so won’t expand or contract like wood.

All this makes it the ideal material to seal, prime, paint and varnish – and thus more resilient. Two tables left our workshop over the Open Christmas Weekends at No 9 and went to good homes:

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coffee table

Kleescape coffee table

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coffee table

Kleescape on rug

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coffee table

Roseburgh

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painted coffee table

Roseburgh on blue

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There are a few coffee tables still awaiting the right owner, each one a true original:

a row of tabletops

a row of coffee table tops

Come and see us in 2015. Happy New Year.

Best wishes:

Ziggy, Thelonius, Peter, Stuart, Roger, Wendy and Fleen

Tegestology

ceramic coaster with blue oxide

moon coaster

Coasters, specially ceramic coasters, have become desirable designer acquisitions in recent months, partly in response to the growth in interest for cocktails – something in which we at belatrova have had a hand (you need only go back to earlier blogs to see our recipe for the perfect Dry Martini, and others). Of course, you may not have been aware of all this, which is why belatrova, always in the vanguard of taste and style, thinks it is important to bring this to the notice of all belatrovians and help them solve the annual dilemma faced by so many: “where can I find that special Christmas gift that is both uniquely attractive yet practical?”

hogarth print of revelry

men behaving badly – William Hogarth

Why are they called “coasters“? According to our research, coasters were originally called sliders in the 1700s and were used as a stand to prevent moisture damage to a tabletop and for sliding the bottle of wine along a tabletop from guest to guest after supper when the table cloth was removed and the servants dismissed, leaving the diners (usually men) to fend for themselves. Cue drunk and unseemly male behaviour. These sliders later became known as coasters in allusion to their circulation around the edge of the table. Early ones were made of silver, china or glass, and some were fitted with wheels or with baize-covered wood bases to reduce friction on bare tables.

variety of ceramic coasters

coaster cornucopia

 

Some coasters are collectible items. Tegestology is a term coined from Latin (teges, a small covering or mat) defined as the practice of collecting beer mats or coasters. Consider, then, becoming a tegestologist by acquiring belatrova’s ceramic coasters and thus simultaneously easing your Christmas shopping experience.

 

At £5 a coaster belatrova is offering sets of six for the price of five, plus a delivery charge of £5.95, making it a very affordable £30.95. There are three choices: Brushstroke Blues, Valencia or the Selection (a combination of both).

set of ceramic coasters

set of brushstroke blue

 

six ceramic coasters

set of Valencia cioasters

 

six different coasters

selection

 

 

 

 

 

 

You can ring us on +44 (0) 1531 634082 and order over the ‘phone.

Or visit us during our Christmas weekend openings (28 – 30 Nov, 5 – 7 Dec)

Or pay us a visit on any day – just ring us beforehand to make sure we are not out delivering.

Or visit the Studio Gallery in Ross-on-Wye

This is how we make our coasters:

biscuited costers

biscuited coaster awaiting oxides

 

coasters painted with oxides

oxides painted onto coasters

coaster dipped in clear glaze

coaster dipped in glaze

 

cork adhesive on back of coaster

cork backing

 

 

 

 

 

 

 

 

 

 

 

 

In order to give you some idea of size we have placed a coaster next to a familiar eveyday object:

plastic toy anteater with ceramic coaster

ant eater

 

plastic toy monster with coaster

Leech Man

 

We know we are way ahead of ourselves but were thinking of recommending a new cocktail for you to drink on Christmas morning, something called Marmalade Fizz invented by the London Cocktail Club, but in the end decided to be traditional and went for that mellow but elegant drink: Black Velvet. It is guaranteed to get you in the mood for the day

 

Ingredients: a bottle of cold Champagne, a bottle of cold Guiness

Method: fill a Champagne flute halfway with the Guiness then top it off very gently with

glass of Black Velvet

smooth

Champagne so that it lingers atop the Guiness as a separate layer. Try pouring the Champagne over the back of a spoon to prevent it from plunging straight into the stout. This ephemeral separation is fleeting but satisfying. The drink is smooth and effervescent, just like belatrova.

Cheers!

And finally we would like to announce the winner of the “guess the NSPCC panto auction price of the belatrova table” competition (see previous blog):

L.H of Malvern will be getting a pair of ceramic trivets.

the art of commissioning

house spider with christmas hat

Ziggy the Christmas spider

painting of Pope Julius II by Raphael

Julius II by Raphael

photo of Rex Harrison

Rex Harrison

detail from Sistine Chapel

God & Adam

 

 

 

 

 

 

A commission in art was at one time only the privilege of the rich and powerful. Rulers and governments commissioned artists to design pieces that often glorified the kingdom or state. During the Renaissance, the Church became a regular patron of the arts commissioning such great works as The Last Supper by Leonardo Da Vinci, and of course, the most celebrated art commission of all time, the Sistine Chapel ceiling by Michelangelo, commissioned by Pope Julius II, a man who centuries later, as older belatrovians will remember, would be played by Rex Harrison in “The Agony and the Ecstasy“.

ceiling of Sistine Chapel

top commission

Commissions are all very well when it comes to painting and sculpture, we hear you say; what about ceramic commissions? Well, how about the ‘Frog Service’, a 50-person set intended for dinner and dessert made by Wedgewood in 1773 for Catherine the Great who bought it for her Gothic summer palace built in a frog marsh some miles outside St Petersburg, “Kekerekeksinky“*, would you believe – hence the inclusion of the frog motif.

The service was painted with 1222 views of British landscapes,antiquities and gardens. It cost £2,290 and was intended for occasional use, not for display alone. When the service was nearing completion, the bulk of it was put on display at Portland House in London, so as to show it to the English public before it was dispatched to Russia. At the present time the Hermitage collection includes some 770 items from this famous commission.

ceramic Wedgewood

part of the Frog Commission

As an aside, belatrova went to visit the Wedgewood Museum and returned as enthralled as ever by Josiah, a man of energy and creativity who along with others transformed society and kick-started the Industrial Revolution. He was born into a family of potters in 1730, at Burslem, Staffordshire, and his father’s death in 1739 led him to an early start working as a ‘thrower’ in the pottery of his eldest brother, Thomas, to whom he was later apprenticed. An attack of smallpox seriously weakened him and in 1768 he had to have his right leg amputated. This meant he was forced to abandon throwing, but he gained a wider insight into the potter’s craft, which led to experimentation. If you would like further insight into this world, belatrova warmly recommends a book by Jenny Uglow, “The Lunar Men”.

portrait of Josia Wedgewood by Reynolds

mezzotint of Josiah based on Reynolds painting. copyright National Gallery

Why are we telling you all this? Oh, yes… The Wedgewood Museum Trust. It became liable for the £134m pensions debt of its insolvent parent company and after a long battle to prevent the break up and sale of the collection, the Art Fund was given the chance to save the collection for £15.75 million. £2.74 million is still required by November to save the collection from being dispersed: 250 years of history, 80,000 objects – a unique visual archive.

belatrova lamps being made

belatrova commissions

 

Back to commissions. We would like to say that nowadays commissions are much more commonplace and accessible, and that vast fortunes need no longer be spent. Nobody need be a Medici to commission a belatrova birdbath, or table lamp, or platter. In fact, we have been busy fulfilling commissions as a result of so many visits during h.Art (Herefordshire Art week), so we thought we would remind you that with three months to go before Christmas belatrova is the place for that unique gift.

Just give us a ring at the workshop on +44 (0) 1531 634082 or send us an email (info@belatrova.co.uk) or visit our website: http//www.peterarscott.co.uk/dev – we are happy to talk to you about any idea you may have.

So long as it does not involve spiders.

There is one arachnophobe amongst us who finds it hard to deal with the creatures as they start to come indoors with the nights getting cooler –“all I want is a room somewhere / Far away from the cold night air…” they sing. It is impossible to determine in which direction they will scuttle and so they strike fear in the heart of this particular person, who will remain nameless.

Meanwhile, with a little bit of bloomin’ luck, we hope to see you when we open up the workshop over the weekends of November 29th and of December 6th.

* Kekerekeksinky was mistakenly thought to mean “frog” in Finnish, though if you try to pronounce it in a deep voice you will sound a little like one. 

belatrova in Iberia

Gibraltar on the horizon

A piece of Britain on the horizon

belatrova, musing by a pool in the heat of Sotogrande, with a distant view of the Rock of Gibraltar, discovered that Andalusia has some of the hottest areas in Europe, sometimes averaging above 36 C in summer, with daytime highs of over 40 C. This explains the landscape of Holly and Cork Oak and the Pinsapo Fir trees that do well here, as do the olive trees that are grown all over the area.

Andalusia certainly knows its olives: Manzanilla, Arbequina, Empeltre, Sevillano, Picual, Hojiblanca, Picolimon, Verdial are just some of the estimated 260 different varieties of olive in Spain, which, as we all know, always look their best when offered to guests in a belatrova bowl.

olives in belatrova bowl

the only way to eat olives

But we digress. After being controlled by Carthaginians, Romans, Vandals and Visigoths, for half a millennium “Al-Andalus” was part of a Muslim caliphate, from the moment in 711 a Berber called Tariq ibn Ziyad landed his troops on the coast at a place that would become “Jabel alTariq” (the mountain of Tariq), now pronounced “Gibraltar”. Then came the Catholic Kings, and so on, until Spain became a member of the European Community. How about that for a quick outline of Spanish history?

drawing of Malaga port

Malaga port

Before arriving in Sotogrande belatrova had spent a short time in Malaga, port city of misty mornings and birthplace of the greatest artists of the 20th Century*, and paid a visit to the Museo Picasso de Malaga to have a peek at the great man’s ceramics and paintings on display. A small but fine collection that will satisfy anyone interested in art and ceramics.

Porcelain figure by Picasso

Insect – ceramic figure at Museo Picasso en Malaga

 

 

After 90 minutes of leaving Malaga and driving south belatrova suddenly saw the strange presence of the large rock that is part of Britain. It is surprising that there is this tiny enclave with red telephone boxes, bobbies and pubs in the southernmost tip of Spain. But we stayed in Sotogrande and enjoyed the calm of this beautiful location.

belatrova bowl by pool

belatrova by the pool in Sotogrande

 

bowl with landscape in background

…on the veranda

bowl by Buhdda bust

…meditating

 

 

 

 

 

 

 

Next stop was a few days near Ronda in a small town called Arriate. Early in the mornings, before the sun clears the horizon and bakes everything in its path, a quick walk into Arriate will reward you with a breakfast of “Churros con chocolate” before returning and finding a shady area in the house or by the pool. belatrovians have already met Thelonius the Pugmill (blog November 2013).

image of pugmill

Thelonius Pugmill in action

pugmill

Though it may upset Thelonius, the churro-making machine is basically the same idea. Stuff goes in one end and is squeezed out the other, though in the former’s case it cannot be eaten with chocolate:

churro machine

churro-making machine

churro mix extruded by machine

churro extruded

ring of cooked churro

churro ready

 

churro with hot chocolate

churros con chocolate

 

 

 

brick pottery chimney

abandoned pottery in Arriate with stork’s nest on the top, seen when wandering into the village for breakfast

 

 

 

 

 

 

 

 

 

 

 

As for Ronda, it is a buzzing and welcoming town whose most well-known feature is the gorge that divides it and the bridge that crosses it, both made famous by the series of brilliant oil paintings David Bomberg made when he lived there in the 1930s.

bridge at Ronda

Ronda

 

painting of Ronda bridge by Bomberg

Bomberg’s Ronda

 

 

 

 

 

 

 

 

 

 

 

Next stop was Granada, at the foot of the Sierra Nevada, home of the poet Federico García Lorca and of the Alhambra, Moorish citadel and palace, and the most renowned building of the Andalusian Islamic legacy. Any lover of mosaic and tiles would love its interior, but frankly anybody with an ounce of romance and fantasy would fall for it.

view of Alhambra

The Alhambra in Granada

 

the courtyard of the lions, Alhambra

inside the Alhambra

Saturation of visual sensation means you will end up agreeing with the poet Franciscio de Icaza who wrote “Give him alms, woman, for there is nothing sadder in life than being blind in Granada.” (“Dale limosna mujer, que no hay en la vida nada como la pena de ser ciego en Granada.”)

 

Walking along the narrow streets of the Albaicín district is also enthralling. Lots of shops selling pots and ceramics of all kind.

ceramic street sign

street sign in Granada

 

Even the street names are made of ceramic.

 

A visit to the Moorish Baths was a cool break from the sun and heat outside: looking up at the ceiling from the gloomy depths of the 11th Century building, the shapes cut out originally to allow steam to escape let in the daylight and shine like stars.

ceiling of old Moorish baths in Granada

11th Century baths in Granada

All a distant memory. Now back at the workshop at No 9, belatrova is busy preparing for h.Art events which will be from 6th – 14th September and to which you are all most welcome. We will be open from 10.00 to 17.30. Remember to follow the bright red h.Art signs.

picture of the Studio Gallery launch

tHe Studio Gallery opening in Ross on Wye

 

And if you are near Ross-on-Wye, please drop in at the Studio Gallery which had a very successful launch some days ago and has an excellent display of belatrova ceramics.

 

 

 

 

* any belatrovian agreeing or disagreeing with this statement is invited to leave a comment. Comments will be awarded points, and points mean prizes … and, much as we would like to give the winner a Picasso bowl, you could win yourself a belatrova Valencia three legged ceramic instead.

Azure, sky blue, ultramarine and cobalt – who says Britain is the land of rain?

photo of blue sky over Tresco island

a view from Tresco

We live in a land of contrasts in the UK – there is so much diversity. Take the Lake District and Berkshire Downs, the Scottish Highlands and the Norfolk Broads, the wild Jurassic coast of Southern England and the sedimentary London basin, Fingal’s Cave, Salisbury Plain, Cheddar Gorge, and yes, there is even a touch of the Caribbean to be found 30 miles from the Cornish mainland. You don’t believe us?

image of ferry to Isle of Scilly

ferry

Lucky belatrova took a boat from Penzance and went to a very small place in a beautiful archipelago. Tresco is a small island measuring about two and a half miles long by a mile wide, and it is one of the five inhabited islands which, together with 200 or so islands, islets and rocks, form the Isles of Scilly.

Augustus Smith

Augustus

In 1834, the Duchy of Cornwall leased the Isles of Scilly to a liberal-minded squire, Augustus Smith, who became the Lord Proprietor of the

Sub tropical plants at Tresco Gardens

Tresco Abbey Gardens

islands. He built his home, Tresco Abbey, alongside the ruins of an old priory and set about creating a garden containing plants from all over the world. Tresco Abbey Garden is internationally renowned as having one of the finest sub-tropical flora and fauna collections in the Northern Hemisphere. The family still run the business as the Tresco Estate, and own Tresco island.

seagull

angry bird

As there are no predators or grey squirrels, the red squirrel was introduced recently and there is now a thriving colony of about 30. One was spotted in the Abbey Gardens, a flash of dark red moving amongst the Echium and Pelargonium. And being a birdwatcher of sorts, Mr b got very excited and spotted Oyster Catchers, Grey Heron, Terns, Ibis, Egrets and Godwits. He was also mobbed by angry sea gulls.

plate full of cooked shrimps

shrimps from Ruin Beach

Later that evening with the tide slowly rising a shrimping party netted a generous catch which was cooked and then eaten at a picnic overlooking the harbour. As you can see, there are no half measures here: one carries tables and chairs to the top of a hill to get the most out of an occasion like this.

table and chairs set out for picnic

picnic

 

image of sailboat

tacking

A sailing trip to the smaller island of Samson was a symphony of azure and greens, gentle wavesand distant bird cries, white sand and clear water. What an experience it was, tacking back to Tresco harbour – a commemorative ceramic is called for, and here it is, just out of the kiln:

rectangular ceramic dish

belatresco dish

Back at the workshop after this idyllic break, the sun, sea and clean air, combined with the walking, cycling and (ahem) swimming, meant that cobwebs were swept away and a desire to use Tresco blues came surging out of the belatrovian brush and onto one of our coffee tables.

coffee table with blue brush marks

Tresco-inspired coffee table

 

low coffee table with blue colours

coffee table

Of course, like everywhere else in the UK, Tresco can be grey, battered and windy, but it was hard to imagine while we were there.

seawater off Tresco

water off Samson Flats

 

 

 

 

 

yes, you could win a belatrova ceramic

Please have a long look at this close-up of one of our dishes. Allow the colours and shapes to simmer and bubble away in your mind, and then come up with a name for that range. Anything permitted, barring whatever might get us sued.

close up of ceramic platter

name it and win it

Either go to our website and send us an email via contact page or simply add a comment on the blog. If you are successful, not only will the name be forever associated with this particular belatrova style, but you may win a prize: the very ceramic you see in the picture.

The result will be democratically decided (ie much discussed and argued over) by the team on Friday 1st November at No 9 Bankside at 5pm, and announced officially in the next blog.

close up of Valencia range

Valencia

We all know that belatrova makes unique hand-made and painted tables and ceramics. The variety of one-off designs is apparent when you walk into our workshop in Ledbury. Within the multiplicity of colours, brushstrokes and shapes there are a few discernable themes or ranges; one example being the mellow ochre look produced by mixing a little red iron oxide in the glaze into which the painted dish or bowl is dipped before firing. What to call this range? The team scratched its chin and mused one late Friday afternoon as it unwound with a Dry Martini (see blog May, Relocation). Names are important, after all, and after a great deal of discussion we decided that the range in question would be given the name of Valencia. There is something of coastal Mediterranean Spain in the tones.

 Inspired, the team went on to name three other ranges or “looks”. Here they are:

close-up of Manhattan range of ceramics

Manhattan

close-up of brushstroke blues range

Brushstroke Blues

close-up of allegro range

Allegro

We think highly of you and expect to receive some poetic and/or pithy ideas, so please give it a go. There’s a whole lot of biscuited bowls and dishes just waiting for the belatrova touch.

piles of biscuited bowls at belatrova

ready and waiting

poetry / pottery

Poet Jacob Polley standing with banana

Jacob Polley (copyright Harry Rook)

The annual Ledbury Poetry Festival came to town this July; ten days of the best writers, poets and performers, and belatrova took full advantage, enjoying Juliet Stevenson‘s Sylvia Plath reading, as well as Jacob Polley and Sean Borodale together at the Burgage Hall, Martin Rowson‘s tone-lowering Limerickiad, Benjamin Zephania‘s jamming with Tony Benn, and a wonderful celebration of Benjamin Britten’s centenary with Ruthie Culver and the Utter:Jazz quartet and Sam West re-imagining the composer’s settings of WH Auden’s poems.

Cartoonist Martin Rowson

Martin Rowson (copyright Harry Rook)

There were over ninety events in all, including Japanese and Italian poetry, digital poetry, turntabling with Jah Wobble, bike rides, a Cerys Matthews sing-a-long, underwater sound poetry – belatrova tried to imbibe as much as possible and came out of it satiated and inspired. And there was the bookArt 13 exhibition at the Shell House Gallery with five artists, Jeanette McCulloch being one, giving us a rich visual experience with the text.

We did reject the idea of a Ledbury Pottery Festival to run concurrently with the poetry (and someone also came up with the idea of a yearly Ledbury Poultry Festival), and instead took up Jacob Polley’s suggestion to read an essay by Barry Lopez on anagama ceramic firing (“Effleurage: The Stroke of Fire” from his collection “About this Life”). Anagama kilns are wood-burning tube chambers usually built on a gentle slope to promote draft and reach great temperatures, producing ware that is “licked and scorched by wood flame, glazed and encrusted with wood ash”.

His descriptions of the process, the patience needed, the constant feeding of the fire night and day, the unpredictability of each firing, explains the attraction it holds for potters drawn to social cooperation, physical work and subtle firings. It is the antithesis of the rigid commercial kiln processes. Anyway, it is beautifully written and is now being circulated amongst the local potters.

opening a top loading kiln

apprehension

The belatrova kilns are electric, so control over the heating is simple compared with the mixture of instinct, experience and know-how required for the anagama firings, but there is nevertheless a similar feeling of apprehension and excitement just before you open the lid to see what the gods of fire have done with all your hard work. We usually lift the lids when the temperature goes down to 80° or lower, the kilns having spent two days slowly climbing down from their peak, in our case, of 1280°.

split ceramic plate being lifted out of kiln

more than just a hairline crack

A gentle stoicism permeates the workshop on these occasions as the ware is slowly revealed and brought out into the light, sometimes with a tiny hairline crack, sometimes with an obvious split, sometimes in small pieces, but most often the ceramic is good to the eye and it is placed on its shelf ready for any wet sandpapering.

Here’s a three legged bowl that came out unscathed, on a belatrova table:

scooped ceramic on painted table

a happier result: scooped tripod on belatrova table

Perfidious Albion in Barcelona

Barcelona, like the rest of Spain, is going through hard times. Unemployment is on the rise, specially among the young, many of whom are leaving for jobs abroad if they can get any.

Paseo de Gracia and Diagonal with Pedrera building in backgropund

The distinctive roof of Casa Milá in the background

It is also a vibrant city associated with art, architecture and design, not least with Gaudi’s Parque Guell that overlooks the entire city and the sea beyond, and his “Casa Milá” with its singular rooftop – you can see it in the background in the photo taken from the top of Paseo de Gracia.

The capital of a culture that has produced Miró, Dalí, Casals, that nurtured the young Picasso, that gave us Catalan Modernism, that developed its own distinctive cuisine and arguably the best football team ever, is unlikely to take things lying down.

Four red bars on a yellow background represent Catalunya

Catalan flag

Next year is the 300th anniversary of Catalunya’s loss of independence to Spain after the Treaty of Utrech and so I was reminded that this culture and language have had to survive many difficulties, and the growing feeling among many in the city is for separation and independence – the Catalan flag was everywhere we went.

By the way, we Brits can hang our heads in shame; despite an agreement with the Catalans we abandoned them in 1714 to the tender mercies of their foes while we got Gibraltar and Menorca in return.…perfidious Albion.

Anyway, enough history.

belatrova  walked everywhere, visited galleries and design outlets, and used the efficient and smooth metro and buses to go further afield. We really liked the Room Service Design Gallery, run the day we visited by Jordi, and which displays furniture by the Dutch designer Piet Hein Eek – sustainability, efficiency and social responsibility are his guiding principles, and his stuff is visibly hand made, using mainly recycled material.

hand made furniture

Piet Hein Eek chair at Room Service Design

The gallery also takes seriously the promotion of young designers and has a section for graduates to show their work. Drop in when and if you’re there; the MACBA  (Museu d’Art Contemporani de Barcelona) is a block away and the neighbourhood is part of the city in which anybody could easily spend a day walking, drinking, snacking and rubber necking. Which is what we did.

table displayed at Room Service Design Gallery

ceramic table by Piet Hein Eek

Museum of Contemporary Art in Barcelona

the MACBA building

By the way, watch out for skate boarders zipping past as they are encouraged to use the open area in front of the building.

Here are two close-up shots of tapas that we thought might inspire some new colour combinations in our ceramics. Or perhaps not.

close-up of egg salad

yellow white red and black

close-up of sea food salad

black white green red

Monumental window, part of an early 20th century building on the Diagonal, where we went to see how our tables looked away from home and asked two of our customers to allow us into their homes to take a snap or two.

Large stone window and balcony

Monumental window with balcony on the Diagonal Avenue

belatrov table in Barcelona flat
Victoria and Josep Maria’s table

Victoria and Josep Maria keep theirs in a space filled with greenery and the effect is lush and fresh. Veronica and Alberto have theirs nicely set off by the dark floorboards and deep green of the furniture.

Both tables are getting a lot of TLC from their owners.

belatrova table

Veronica and Alberto’s table

belatrova’s top 6 favourite things to do in Barcelona:

Go up onto the roof of Casa Milá (also called “La Pedrera”)

Visit the geese in Barcelona Cathedral’s cloisters

Have a coffee at Meson del Café off St Jaume’s Square

Take the No 14 bus from Calvet/Fransesc Maciá down to Siete Puertas

Eat stuffed squid at the Bar Neutral (Ganduxer 26, Barcelona)

Visit the Fundació Miró – a quick trip inspired belatrova to make a tripod ceramic bowl.

tripod ceramic bowl

hint of Miró?