Adaptable as ever, belatrova, as well as designing and making handmade ceramic birdbaths, lamps, bowls and tables, has developed another skill that uses clay to great effect – we also make ceramic murals. A mural, from the Latin murus meaning wall, is any piece of artwork applied directly on a wall, ceiling or other large permanent surface.
This particular mural uses the idea of “juggling” as its departure point; the house in Spain for which it was commissioned is named after an area of southern India, and it is a word that in Spanish is associated with jugglers and juggling. A happy convergence of imagery to get the ball rolling, and which can be seen in the final design with the still central figure at the bottom from which two circular movements flow, one counter clockwise, the other clockwise, co
ntaining the various elements and shapes which are being “juggled” – all presided over by the sun at the very top. Some of the shapes are purely abstract to accentuate the flowing lines, other more recognizable things are there because they are right (even if ultimately inexplicable to most people- cacti, skulls, vases and jugs, ashtrays?).
The rectangle of space within which the piece was designed measures 2300mm x 3126mm, and each piece is made from grogged stoneware, a clay that contains tiny fragments of molochite to strengthen the material when it has to be shaped and cut, slab rolled and then biscuited to 1000°, after which, as a lot of you may remember from previous blogs, the surfaces are painted with oxides and stains, dipped in a transparent glaze and then fired to 1275° in the belatrova kiln.
The challenge was always to produce shapes that stayed flat and did not crack, and there were five “skulls” made before the sixth and final one that you see in the images. Here is a picture of skull No 4, already biscuited, with a fine crack going from eye to jaw. It makes quite a good cheese board, specially when you need to hurry guests away from the table.
We were very pleased with the way the two flying legs turned out, considering their awkward shape and length. The belatrova team member who modeled for them wishes to remain anonymous, but we think he has a future with Tommy Hilfiger or Adidas.
The other challenge facing belatrova was the height of the scaffolding, about three metres off the ground, but, thankfully, any vertigo was kept at bay by our perfect hosts who supplied belatrova with a steady source of cold Spanish beer sothat in the end any lingering acrophobia was gently dispelled.
The first step upon arrival was to measure out the rectangle above the doorway in the hall and then to stick templates of the ceramic pieces (which had previously been cut out in card) onto the wall. When, after a great deal of tweaking, the templates were all blue-tacked in their place, a pencil mark was drawn around the contours and the card templates removed to allow the actual ceramic shapes to be bonded to the wall in their correct positions.
Murals do vary from simple tiled works to huge installations by contemporary ceramic artists; depending on context, they can enhance large or small spaces, but belatrova thinks ceramic murals are the perfect solution for those who enjoy sculpture but have no space, or for those who have a large space that needs to resonate more with its surroundings. Murals fulfill the same function as a picture while often being much more dynamic and three-dimensional.
The technique of slab-rolling and shaping, which was used for this mural, is one also applied to most of belatrova’s production, and if any of you have not already seen our video showing how it is done, please click here.
Lastly, please remember that we have two pre-Christmas Open Weekends: 28 and 29 November, and 6 and 7 December, when we will be open from 10am to 5pm. Do drop in.