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The Spirit with no anus – pottery and anthropology

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Walking up to Bradlow Knoll on a bleak overcast day can be heavy going, and though I like to think I ascended the hill like a young impala, the truth is that it was …  heavy going. Recovering my breath on C.J.’s bench, I decided to continue further into Frith Wood, on your behalf, as there was a possibility that the snowdrops were still in bloom, and I could take some photos for the blog. Alas, I was too late, and too early for anemones and bluebells. It was all a dull greyish brown, with little to attract the eye, so inevitably one’s mind wandered.

 

Every so often, ceramic vases fling themselves headlong to the floor, shattering into many pieces with that splintering sound that is so alarming. Or else they’ll explode in a muffled thud in the kiln during a firing. Or sometimes you’ll hear that gentle click as one vase touches another and a handle you spent half a day getting right weeks ago drops off. It is not an obvious issue related to ceramics, that of the sound clay makes, but a recent pinging heard on opening the kiln prematurely (revealing a long thin hairline fracture on a vase) brought it to mind.

Yours truly ascending Bradlow Knoll. Photo Hein Waschefort

This was reinforced when I met a professor of anthropology at a party recently. He has written a paper regarding the symbolic resonances of clay, pottery-making, and pottery objects amongst Northwest Amazonian peoples that adds to our understanding of how indigenous populations think about, and relate to, the production and use of ceramic objects, especially in the contexts of ritual and cosmology. Yes, these are the sort of parties I go to.

Capuchin monkey. Photo David M. Jensen

He told me about the Colombian Pirá-Paraná region’s version of the story that accounts for the origin of the clay used to make pottery.  As you have no doubt worked out from the blog’s title, it is an earthy and unpretentious story, and squeamish readers may now want to turn away and just look at the pictures. OK?  Here goes. The Spirit with no anus began visiting the children in the house of his neighbour, swearing them to secrecy, entertaining them with his ankle rattles and maracas, and running away when the adults appeared. When the youngest child divulged everything, the Spirit boiled them in a cooking pot, though the youngest one escaped and told his father, who retrieved the children’s bones, which he beat with leaves, thus bringing them back to life as capuchin monkeys. Much later the Spirit came upon the father fishing in a lake. The father let off a loud and sonorous fart, and the Spirit with no anus, of course, wanted to know how he achieved this. The father explained that one needed an anus, and that if he wanted, he’d make the Spirit one by poking a stick up his backside. Which he did, hammering the stick further and further into his body until it came out through his throat and the Spirit fell down dead.

The Spirit’s smooth backside, an upturned Barasana pot (collection of Dr Stephen Hugh-Jones, photo by same)

Now, bear with me. The Spirit is Clay Father. The flesh and other soft parts of his body became the pungent, bluish-grey potting-clay that is extracted from holes in the banks of streams. The Spirit was a creator deity who gave rise to the earth, and his smooth backside is the underside of a cooking pot; the pot’s mouth is his voracious, open maw; and from the pot’s point of view, when the father retrieves his children’s bones, the pot vomits them from his open mouth. Today he appears as a pottery trumpet.

Uriro pottery trumpet, the Spirit with an anus. Collection of Dr Hugh-Jones

From flatulence to flutes, and the ceramic instruments made long ago in South America, clay lends itself to being blown into to produce all sorts of sounds. Just think of the humble ocarina, the Andean clay pipe, the clay whistle and the percussive pot drums, often made in animal or human form, probably for ceremonial functions or as playthings.

Chimu whistling jar. Circa 1470

The “whistling jar” is a 1- or 2-chambered vessel in which a whistle, often concealed by a bird’s head, is sounded by blowing into the spout, or by pouring liquid from one chamber to the other to create a bird-like twittering sound. Smaller whistles in animal shapes, perhaps worn suspended from the neck, frequently have fingerholes that allow variation of pitch. Sometimes, the sound it creates mimics the creature represented.

The poster above is to call your attention to The Chuffed Store Pop-up shop which is appearing at 16 Seymour Place, Marylebone, London, W1H 7NG  until 26th March. You will not see clay trumpets, ocarinas or fat-bottomed pots there, but you will see fine examples of Peter Arscott ceramics, including three-legged bowls and large stoneware platters. Dotted incoherently around this blog are images of said pieces.

Clay ocarina, Paracas, Peru.

If you’d like to try making a clay ocarina yourself,  click here – the first person who succeeds and sends me a video showing it in action will win a three-legged bowl.

 

Kiln Kat Kalamity

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It may have been a cold early December afternoon, but a walk was needed up to CJ’s bench on Bradlow Hill, in part to clear the cobwebs, but mainly to meditate on the day’s disruptions and to put things in perspective. Kiln firings do sometimes go wrong – it’s not the end of the world. After a blissful state of Nirvana was attained, earthly feelings like suffering and desire disappeared, and the walk downhill was easy.

the remains of the clay

The main reason that pottery explodes in the kiln is residual moisture left in the clay body. Even when it appears bone dry.  Once the kiln gets really hot, the moisture starts to turn into steam, and the steam expands very rapidly into any small air pockets in the clay and shatters the pottery. Kerblam! Though actually it’s usually no more than a loud pop.

exploding pussy

This explosion was only discovered after a previous incident had taken place in the studio. This was announced by the layer of blue smoke that hung in space on entering the room, and which could be seen coiling up from the control panel behind the kiln. There was no panic, though Ziggy and Spiro were nowhere to be seen, and Thelonious offered little, if any, help.

Corroded terminals

Once everything had been turned off and the panel cover removed, the reasons were obvious: of the twelve terminals that connect up to the ends of the heating coils, three were sloppily connected and had corroded badly, deciding that they’d had quite enough, and the time had come to surrender.

Bottomless cat

Opening the kiln top then revealed that a ceramic cat had allowed its bottom to explode. This was just coincidence and had nothing to do with the terminals, though disappointing to my daughter-in-law, who made it. The original, successful, ceramic cat is modelled on Otto – here is a picture of Otto with his ceramic doppelganger Potto. They both live in London.

Ottio and Potto

 Otto himself has visited Ledbury and the studio and spent a weekend with the two adult humans for whom he is responsible. No rats were caught, he is too sedate for that, but the arrival of a third baby human may have complicated his ordered life, since for years cats have been unwittingly exploiting humans into taking care of them, by replicating the sound of a baby’s cry when they meow. They only meow when humans are around, the crafty creatures.

Moche pampas cat, 7 – 11th century AD

And cats have a long pedigree when it comes to ceramics. This beautiful stirrup-spout ceramic vessel was made by potters of Peru’s Moche culture sometime between the 4th – 7thcentury A.D. Moche artists were great observers of the natural world and depicted animals with a keen attention to detail. Here, the ceramicist captured the distinctive coat and leg markings, as well as the bushy tail, of the pampas cat. If you are in New York, you can see it at the Metropolitan Museum of Art.

Potto

Early Egyptians from wealthy families loved their mogs and dressed them in jewels and fed them treats. When the cats died, they were mummified. As a sign of mourning, the cat owners shaved off their eyebrows, and continued to mourn until their eyebrows grew back. Cats were so special that those who killed them, even by accident, were sentenced to death.

Porcello scaber

A piece that does not mention cats however, though woodlice make an appearance, is a story by yours truly in Litro Magazine. This is an online publication that (as it says on the website) “sits at the intersection of technology, the creative arts & literature. It provides a forum for new & experimental writing, whilst nurturing literary development”. It publishes work by first time authors through to Nobel laureates, providing readers with a perfect read for those with busy lives. So, it’s perfect for all of you, and if you want to read the online short story, then please just click here. It’s called Carpet Vandal.

Large stoneware platter 38 cms diam – The Chuffed Store

Christmas is upon us, and we are all having to think of gifts. We’re here to help and to encourage you to buy the “one-off’, that singular piece, the handmade and irrepeatable – in other words, a stoneware vase or dish that catches the eye while at the same time being practical. Such as this large serving platter which you can order through The Chuffed Store.

Or else drop in on one of the galleries that you can find on our website – just click here.

To finish off, why not treat yourself to a full-throated Tom Jones cat song?  The lyrics may not be much, but it’s a belter. Click here for some 70s nostalgia. Why do the girls in the audience scream when he sings that he likes “your pussycat nose”?

Spiro, Thelonious and Ziggy wish you a Happy Christmas

From everyone at Peter Arscott Ceramics, specially from Spiro, Thelonious and Ziggy, have a Happy Christmas and a better new year than we are all expecting.

November fauna – where have all the bunnies gone?

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Dull morning on Bradlow Knoll

There is admittedly no obvious connection between jellyfish, numbats and ceramics, but walking up Bradlow Hill on a mild and misty morning, with no sightings of any fauna, not even sheep, any imagination can get carried away and a yearning for the exotic can take over when the landscape starts turning into a monochrome dun colour. The only thing that caught my eye was a large parasol mushroom.

Parasol

Talking to the local butcher about rabbit (there was one for sale on display) it was a surprise to find out that there are no longer the numbers that existed only ten years ago. Travelling by train used to guarantee fields and meadows with bunnies running along the hedgerows. The main reason for this change is Rabbit Haemorrhagic Disease 2, or RHD 2, a disease with a mortality rate of over 90% which has all but wiped out wild rabbit populations across Europe.

Red and black vase at Cecilia Colman Gallery

Scientists, researchers and conservationists from across the UK have announced in the latest State of Nature report that the nation’s wildlife is continuing to decline despite efforts to reverse these trends. In fact, since the 1970s, it has been shown that 41% of all UK species studied have declined. This, plus the impending recession that will soon be upon us, and the Russian invasion of Ukraine, and the sports-washing about to take place in Qatar, is all very depressing – so anything is welcome that takes one’s mind off the issues.

Nevertheless, a cute little numbat was not expected to suddenly pop out from behind a hedge in Frith Wood, but nevertheless, a rabbit or two surely could have made an appearance. Why all this stuff about numbats, you ask?

Well, celebrations and events in November are numerous, but one in particular I know you will be upset you’ve missed is not the Day of the Dead, or Guy Fawkes Night (5th Nov), or even the FIFA World Cup, but November 6th, which is World Numbat Day. It is an insectivorous marsupial which only eats termites. This furry little Australian is an endangered species. The first ever drawing of a Numbat is by George Fletcher Moore who drew it in his diary on 22 September 1831, after seeing one of the animals for the first time during an expedition.

And World Jellyfish Day (3rd November)! Yes, a day to appreciate and celebrate jellyfish, which are not, in fact, fish or made of jelly. They have no heart or brain (yes, yes, I am sure we can all think of someone who fits the description), but nevertheless, do quite well stunning their prey with their stinging tentacles and gobbling them up. Some are quite beautiful, so here’s a link to a video of jellyfish that will help you relax.

Where would anyone go to see such exotic animals? Luckily, if you live in London, you can visit Regent’s Zoo and spend time admiring your fellow creatures there. Warthogs, pigmy hippos, okapis, lemurs, hummingbirds, butterflies, and once you’re satiated with wonder, what to do?

Autumn vase at Cecilia Colman Gallery

Why, only a stone’s throw from the zoo is the Cecilia Colman Gallery where you can continue your immersion in the sublime and extraordinary by gazing at the handmade pieces on offer, including vases by Peter Arscott Ceramics.

Green Red vase at Cecilia Colman Gallery

The gallery, which was opened in 1977 in what was then a sleepy High Street in St. Johns Wood, is today part of a bustling cosmopolitan centre, and one of the few places still remaining from the 1970s.

Matisse vase at Cecilia Colman Gallery

One of the pieces is a Matisse vase. Totally inspired by Matisse’s painting, Red Interior, with bold red and green colours applied with confident brushstrokes depicting an interior with glimpses of a garden outside. A stoneware vase, like all of them, slab-rolled and glaze-fired at a temperature of 1275°. Click here if you want a glimpse of the painting – copyright rightly prevents its inclusion in this blog.

Wavy vase at Cecilia Colman Gallery – tomatoes not included.

Spiro (Head of Marketing) says: “You may think that doing any Christmas shopping in November is too early, but it does help retailers and it means less stress as the pre-Christmas frenzy builds up into its seasonal crescendo in December. Furthermore, a visit to the gallery allows you the opportunity to buy that handmade one-off gift for that special person – namely you”.

Since this is an animal-heavy blog, it’s worth knowing that Matisse was an animal lover, and that he was devoted to his three feline companions named Cousi, Minouche, and La Puce. He is even said to have fed his cats brioche bread every morning. Matisse, also a lover of birds, had pet doves, which he purchased from vendors along the Seine.

Au revoir.

 

Mythical Kings and Iguanas

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Looking down towards Ledbury and the countryside beyond, on a bright Autumn morning when nobody is about, and the serene landscape looks like it would rather just stay in bed and wait for next Spring, it is hard to believe anything momentous has ever taken place in such a pastoral setting, until you picture Caratacus fighting the Romans at British Camp in the first century AD, or the Battle of Ledbury in 1645, or you acknowledge the influential legacy of the Dymock poets and John Masefield, or the music of Elgar, or you remember the bold but unsuccessful experiment of the Chartist settlement of 1848. All this in such a small patch of land.

Slanting light

I know this is a ceramics blog, dear Reader, but Man’s capacity to do good and bad is in the news, the latter tendency reinforced in your mind as you enter Frith wood and imagine Nature fierce in tooth and claw: ferrets killing fledglings, foxes eating rabbits, badgers snacking on frogs. On the other hand, bees and ants are pretty good at organising societies and generally minding their own. Just like the Chartists.

A Chartist riot. Engraving by Alfred Pearse

However, unlike ants, bees and other insects, the Chartists focused on the six points of the People’s Charter, which aimed to introduce universal male franchise (at a time when perhaps only one-fifth of adult males had the vote – essentially those drawn from the upper and middle classes) and a more equitable and democratic political system.

The River Severn at Newtown

 

Yes, the Chartists provide us with the ceramic link for this blog, because not only did they experiment with their settlement near Ledbury, but rose in protest at Newtown, Wales, in 1839, which is where Peter Arscott Ceramics can be seen at the Oriel Davis Gallery.

Robert Owen memorial at Newtown

Newtown is the birthplace of a remarkable man. Robert Owen was a self-made man, reformer, philanthropist, community builder who spent his life seeking to improve the lives of the working class. He improved working conditions for factory workers, which he demonstrated at New Lanark, Scotland, became a leader in trade unionism, promoted social equality through his experimental Utopian communities, and supported the passage of child labour laws and free education for children, as well as advocating for an eight-hour day. His principles became the basis for Britain’s Co-operative shops, some of which continue trading in altered forms to this day. There is a museum dedicated to his life in the town.

Karl Mark, photo by John Mayall

Owen was a “Utopian Socialist”, as Marx and Engels called him. They argued that his plan, to create a model socialist utopia, was insufficient to create a new society. In their view, it was utopian because the overthrow of the capitalist system could only occur once the working class was organized into a revolutionary socialist political party that was completely independent of all capitalist class influence. Anyway, I’ve always wanted to insert Marx’s image into this blog, so here goes.

Ochre puzzle vase at Oriel Davis

Spiro (in charge of Marketing and Communications) says “too much history! Enough!”, so back to Frith Wood, albeit briefly. There was a golden light slanting in through the trees and the fallen leaves provided a carpet of gold, green, purple and ochre colours to walk on. Other than that, there was no flora to see except the occasional scattering of Hypholoma fasciculare, commonly known as the sulphur tuft or clustered wood lover, a common woodland mushroom, often in evidence when hardly any other mushrooms are to be found.

The dreaded sulphur tuft

The sulphur tuft grows prolifically in large clumps on stumps, dead roots or rotting trunks of broadleaved trees. It looks inviting enough, but is treacherous, bitter and poisonous, and consuming it can cause vomiting, diarrhoea and convulsions. In contrast, a lovely feeling of serenity, peace and general satisfaction will envelop you when you visit the Oriel Davies Gallery. It is a key public art gallery of Wales, presenting world-class, thought-provoking and challenging art by national and international artists in an environment that is welcoming (and free). Its shop sells Peter Arscott ceramics, and it has a good café too.

Big spot vase at Oriel Davis

On arrival to deliver the ceramics, there was a busker singing in the town centre. Unusually, because it’s nearly always Bob Dylan, the Beatles or Leonard Cohen, this lady was singing Dory Previn’s Mythical Kings and Iguanas, a song that might take your mind back if you are of a certain age. As far as I know, Dory has no connections to Newtown (she was born in New Jersey) but listen to her on the Old Grey Whistle Test by clicking here.

Wobble grid vase at Oriel Davis.

Spiro says that not one of the team at Peter Arscott Ceramics has ever flown to star-stained heights on bend and battered wings, like Dory. But Spiro, being a third century Bishop of Trimythous, is somewhat literal in his interpretations and there is no way he understands metaphor or allegory, though ironically, Thelonious, perhaps because he is a heavy cast iron and earth-bound pugmill, understands fully. He has the heart of a poet.

Small garden vase at Oriel Davis

Ledbury’s surreal connections

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Ledbury down below

There is a lot of doc leaf in the fields and meadows at this time of year – they turn a dark ox blood red as their seeds appear and are easily identified as they stand out in the green landscape. This is very noticeable walking up the hill to Bradlow Knoll. The reason they command the eye’s attention is that we humans find red on green, or green on red, a very strong and vigorous combination – both colours are opposites on the colour chart, as blue is to orange, or yellow to violet, though these do not have the same force.

Doc

Interestingly, blue, red, and yellow are primary colours, whereas green is not (being made of yellow and blue) but has the personality of a primary colour. Anyway, try putting a piece of pure green paper next to a central red (one that pulls nether to yellow or to blue) and you might see the edge where they meet seemingly vibrate.

This is what goes through one’s head when walking up a hill towards a wood, this and “did I switch the kiln on?”, and “how do birds pee?”, and “which would be the nicest if animals could talk?” Once on top of the hill, the view below, with Ledbury’s steeple in the mid-distance, turns one’s attention in another direction.

Red and Green vase at Take 4 Gallery

Ledbury has become a popular destination for visitors recently, or it could be that they are all “passing through” on their way to Wales. Nevertheless, seeing the place where you live through the eyes of a stranger is good – what you usually accept as commonplace is often special when looked at objectively. For example, it really is extraordinary that so small a place has such links with poets such as Masefield, Barrett Browning, Auden, Frost and Thomas, or that  Butchers Row museum once stood in the middle of the High Street with seven others buildings and saw the slaughter of animals on a regular basis, the blood and effluvia mingling with the stream that ran down Church Lane leading to outbreaks of typhoid – until the buildings were bought out by public subscription and knocked down.

Zephyr vase at Take 4 Gallery, Ledbury

Though Ledbury is no stranger than any other place, it does exhibit a Tibetan flute or pipe fashioned from the thigh bone of a human, it did have church sextons who carried long sticks to wake up those who were nodding off with a tap on the head, and it did have pavements made of large cobbles or “petrified kidneys” that were big enough to send clog-wearing Ledburians flying.

Objective chance. Conroy Maddox

So, Ledbury has its “surreal” moments, but few places can boast of being the birthplace of a true surrealist painter like Conroy Maddox. He was born in 1912, upstairs  in what is now the Herefordshire Wildlife Trust shop, next door to the Poetry House on the corner of Bye Street. A painter, collagist, writer and lecturer; he discovered surrealism in 1935, spending the rest of his life exploring its potential through his paintings, photographs, objects and texts. He rejected academic painting in favour of techniques that expressed the surrealistic spirit of rebellion.

The Dressing of the Crabs. Conroy Maddox poster for the first Ledbury Poetry Festival 1997

His creations soon began not only to challenge the conventional view of reality, but also to push pictorial expression to the limits of consciousness. He was even implicated in both scandal and controversy when, during the Second World War, Scotland Yard suspected him of fifth columnist sabotage and mounted a surprise raid to seize works thought to contain coded messages to the enemy.

Party guest

Weekend parties at Maddox’s house drew in a wide variety of unconventional attendees, and guardian journalist Tim Hilton recalled in his obituary of the artist: “Festivities were common in Maddox’s surrealist villa. I attended carousals there with other undisciplined children, women in Gypsy dress, poets, communist intellectuals from the University of Birmingham, and early postwar Caribbean immigrants … The Balsall Heath house also contained dozens of unsold paintings and many photographs of Maddox in the company of a nun. Some of their activities involved a crucifixion, the naked but bespectacled Maddox its victim, while the nun drank from a two-pint bottle of the local brew, Mitchell’s and Butler’s.”

Fountain by Marcel Duchamp

The obvious link between ceramics and surrealism is Marcel Duchamp’s inverted porcelain urinal signed “R.Mutt” and titled “Fountain.” Sadly, this will not be on show during Herefordshire Art Week, a nine-day art trail open to all (3 – 11 September).  Artists, craft makers and creative businesses open their private studios every day from 11am – 5pm.

Matisse vase at Take 4 Gallery, Ledbury. hArt

The Take Four Gallery on the High Street will be exhibiting some pieces by Peter Arscott Ceramics, and there will be demonstrations at 11 and at 2 on Thursday 8th September on how to make a three-legged urinal, er..sorry…bowl.

Three legged bowl at Take 4 Gallery

h.Art has become part of Herefordshire’s cultural calendar, with a huge variety of art and art forms on show in open studios, group exhibitions and gallery events. The vast majority offer free admission to visitors, in locations such as manor houses, historic barns, farms, churches and beautiful gardens.

Back in the cool of Frith Wood, with no other walkers on a very early Monday morning, the eery silence was only occasionally broken by birdsong, and at one point a sudden crashing through the undergrowth revealed the light brown back of a fleeing deer. If Surrealism was an avant-garde movement in art and literature which sought to release the creative potential of the unconscious mind, for example by the irrational juxtaposition of images, then this was a good setting – substitute pike for deer.

From predatory pike to printed prose: let me introduce you to the Stand Magazine and to Jon Silkin, poet, editor and critic who established it with his £5 redundancy money (received after trying to organise some of his fellow manual workers) as a ‘stand’ against injustice and oppression, and to ‘stand’ for the role that the arts, poetry and fiction in particular, could and should play in that fight.

Silkin

As described by the poet Rodney Pybus, Stand is “….. a place where the unglamorous, the unfashionable, the oppositional, the innovative, the unEnglish, the radical voices might gain a hearing as well as the more conventional, acceptable and consensual voices.”

My short story, Maxwell’s Nose, probably belongs to the “conventional, acceptable and consensual” stable.  If you’d like to read it you can click here for the website, and you can read the intro, though you would have to buy an individual copy (£7 inc postage) through the editor at engstand@leeds.ac.uk to read the whole story, or else subscribe online. Excellent poetry contributions.

Goodbye

Hereford, Hawkins and Hoople

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Hereford Cathedral

“And Prince Eadric and the Welsh became hostile and they attacked the castle-men in Hereford, and did them many injuries. And here the king set a great tax on the wretched people …” (The Anglo-Saxon Chronicle, Worcester Manuscript 1066, pp. 200-201)

Illustration of a Welsh archer from the late 13th century

It seems that, right up to the Middle Ages, there were quite a few battles waged by the Welsh against the English in Hereford, which probably gave rise to many myths, and perhaps the most famous of these are the supposed laws about your rights to shoot a Welsh person with a longbow on a Sunday in the Cathedral Close in Hereford. A spokesperson for the Law Commission has confirmed: “It is illegal to shoot a Welsh or Scottish person regardless of the day, location or choice of weaponry.”

Church Street, Hereford

So, denied this right by law, I left my bow and arrow behind and drove into the city to deliver ceramics to the Timothy Hawkins Gallery – just a stone’s throw from the Cathedral, but it was a weekday anyway, not a Sunday. Church Street, where the gallery is, is a stone-paved lane that leads from the close to the main square, free of traffic, and with cafes, it is much used by pedestrians as a short-cut.

Timothy Hawkins himself is an artist craftsman who makes beautiful bespoke furniture, and the gallery is an outlet for some of his work, but also for others. Glass, textiles, metal work, ceramics, as well as wood, is on display, and after you’ve paid a visit, you can go and visit the Chained Library and the Mappa Mundi at the Cathedral before going to one of the fine pubs for a drink.

Signs and Wonders by Edmund de Waal. Photo by Hélène Binet

The main square itself is used as a market once a week, and I was reminded that many years ago a young Edmund de Waal used to sell his ceramics there when he set up a studio in the eighties. His work is minimalist and functional, but also sensual because, as he says, “of the knowledge our own hands hold when we make things”. Touch is important to him, as it was to another potter, born in Hereford, Simon Carroll.

Simon Carroll. Photo from Artforum 2014

Quite a contrast with de Waal’s work, Carroll’s is exuberant and risk-taking, and he was a whizz with glazes.

Hello vase at the Timothy Hawkins Gallery

Who else has Hereford connections? Well, three incredibly famous actors: David Garrick, Sarah Siddons and Nell Gwynn, Charles II’s mistress. And singer songwriter Ellie Goulding. And, of course, Mott the Hoople, glam rock band whose greatest hit was All the Young Dudes, written for them by David Bowie to stop them splitting up, which they were on the verge of doing – you of a certain age will enjoy listening to it again: click here.

Vase 54 at the Timothy Hawkins Gallery

And if any of you enjoy your sport, you may remember one if the greatest footballing upsets in FA Cup history when Hereford United beat Newcastle 2–1 in January 1972, when they were still a non-league side and Newcastle were in the top division of English football. Have a look at Ronnie Radford’s goal here.

JV11 at Timothy Hawkins Gallery

Historically, Hereford was once part of Wales (thus all those battles) and there is still a debate that crops up now and again as to whether the county would be better off as part of Wales and not England, to the extent that some believe that Herefordshire has become mecca for people from the South East and London to build their castles in their very own corner of ‘England’, to the detriment of Hereford’s “Welshness”, defined as infectious high spirits, combined with recklessness, generosity, and a ready wit (all of which Nell Gwynn had in spades).

the longest place name in Europe

Two English tourists are driving through Wales and visit the place with the longest name in Europe  –Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch (“St Mary’s Church in the Hollow of the White Hazel near a Rapid Whirlpool and the Church of St. Tysilio near the Red Cave”). They stop for lunch and one of the tourists asks the waitress: “Before we order, I wonder if you could settle an argument for us. Can you pronounce where we are, very, very, very slowly?”The girl leaned over and said: “Burrr… gurrr… King.”

Nell Gwynn as Cupid, an engraving by Richard Thomson, of a painting by Peter Cross.Samuel Pepys kept one on his desk.

Large figure vase at the Timothy Hawkins Gallery

Sizzle v Sausage

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Wave vase

Are you as confused as we are with emojis of giraffes in sunglasses, smiling coiled poos and aubergines? Well, relax. It’s just that the world of our cultural references is becoming increasingly visually based, that’s all. It’s a cliché that a picture tells a thousand stories, but what writing can surpass the photo of the workmen having lunch atop a skyscraper, or of the tank man of Tiananmen Square, or of the sailor kissing the girl in Times Square?

Segment vase

Which leads me to the more mundane issue of imagery and marketing. Images act as storytellers.  You can evoke an emotion by using a high-quality image that can then draw visitors to your website. They will take in the image, and in a split second decide whether the rest of your site is going to be relevant to them.

Eric

Though a long-standing colleague and friend says “it’s the sausage in the frying pan, not the sizzle that counts”, obviously using the image of a nightingale singing, or of Michelangelo’s David with tulips growing out of his head, or of a fat rat called Eric, or of a Hereford cow, or of a fish with an Elvis hairstyle, is not really going to encourage a visitor who is interested in ceramics to keep on clicking. All of which Peter Arscott Ceramics has been guilty of, despite warnings from Spiro, Head of Marketing.

Which explains the images at the top of this blog – visually stunning compositions that have been set up, photographed and edited by someone who knows her craft – click here for a link to her site. Your eyes stay on it that little bit longer, and that extra nano-second may be the difference between leaving or continuing. A post on social media accompanied by an image is ten times likelier to receive engagement.

Willow Pattern Protest Vase at the Oxmarket

It turns out that a big chunk of our brain spends its time in visual processing, in part because images can grab our attention so easily. When you clicked onto this blog, did you immediately start reading or did you look at the photos first? The theory is that our visual senses are the most active because quick processing of visual information would have saved our ancestors from an attack by a predator.

Willow Pattern Protest Vase (verso) at the Oxmarket

A quick visit to Chichester via the M3 and A27 is a real test of anybody’s visual processing: looking out for signs at the spaghetti-like interchanges and dealing with predatory lorries on their way to Southampton docks is a bit like going on a hunting expedition. One of our ceramics has been chosen for exhibition at the Oxmarket Open and had to be delivered to the Oxmarket Gallery, a deconsecrated church formerly St Andrew’s, in the heart of the city, and beautifully redesigned as an Arts centre.  The piece in question is a Willow Pattern Protest Vase – see relevant blog here.

The good news its that the ceramic was chosen as one of the joint winners of the Applied Arts Prize, selected by glass artist Adam Aaronson: an exhibition of ceramics in 2023 awaits. Watch this space. The other winner is Jane Eastell, whose instagram handle is @thepotterycabin_lm.

One of the few things saved from the redundant parish church of St Andrew, Oxmarket, was the memorial to John Cawley, which was moved to the cathedral where you can see it now. He was thrice Mayor of Chichester, and his son William (d. 1666) is also commemorated. William was a philanthropist and a staunch republican, signing Charles I’s death warrant. I think Cawley Senior’s expression is priceless, and probably not one that is meant to convey goggle-eyed confusion, but I can’t help feeling I’ve met him somewhere before..

I’ve resisted the temptation to sign off with a relevant limerick that starts with “there was a young woman from Chichester, who made all the saints in their niches stir…” because Spiro says it is too lewd. Instead, why not visit the cathedral which has a stained glass window by Mark Chagal, a tapestry by John Piper and a painting by Graham Sutherland amongst its collection of art.

But of all the monuments, the Arundel tomb is the best known – the inspiration for Philip Larkin’s poem of that name, and even though he himself said that love isn’t stronger than death just because statues hold hands for six hundred years, we can’t help reading the poem in that way:

… the stone fidelity
They hardly meant has come to be
Their final blazon, and to prove
Our almost-instinct almost true:
What will survive of us is love.

 And drop in to see the Willow Pattern protest vase too.

song of the nightingale, buzz of the fly

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May view of Ledbury

A celebratory walk was needed after a successful glaze firing. The view from Bradlow Knoll down towards Ledbury this May afternoon was grey and cloudy. You can see in the distance the white shapes of the plastic used in the speeded-up cultivation of strawberries for the voracious soft fruit market, and, nearer, the sheep  which will end up on our dinner plates. Land maintained and exploited for the consumer’s benefit, which has made our landscape what it is today. This applies to Frith Wood as well, where dead trees are removed or left on the ground to encourage wildlife. This tree was 57 years old – I counted the rings.

A well-maintained wood.

It clouded over very quickly and started to rain, so it was dark walking in the wood, and there was little birdsong. However, it was not as dark as a few weeks ago when my daughter and I found ourselves with thirty others tiptoeing through Highnam Woods near Gloucester at midnight.

A walk through the woods at night vase

 It was pitch black. Not a sound could we make, no squeaky shoes allowed, or noisy clothing, no flashlights to be used, only the vague shape of the person in front to guide each of us in single file until we came to a small clearing and very carefully sat down. We had previously gathered around a campfire to eat, drink and listen to the environmentalist Sam Lee, who was leading us into the trees with one purpose only: to listen to a nightingale sing.

Nightingale. Photo: Carlos Delgado

Unlike the continent, the UK is seeing the slow disappearance of the bird, due to farming and land management activity, but primarily to the lack of thoughtfully maintained woods like Highnam, which is owned by the Royal Society for the Protection of Birds, and is a jewel, a remnant of ancient woodland that is carefully managed in order to keep a balance between mature trees and traditional coppice.

Doodle vase just out of the kiln.

Our nightingale sang his heart out, though not for us. Only male birds sing at night, in order to woo the females – if you hear one still singing at the end of Spring, that means he didn’t get the girl and he’ll be a Summer bachelor. Ours was a Pavarotti, with the most amazing technique, and the sound was clean and clear and strangely affecting. Click here to listen, and if you are interested in going on a Nightingale Walk next Spring, have a look at the Nest Collective website here.

Posture vase

From beautiful sounds to irritating ones: is it me, or are the flies out early this year?

They keep zooming into the studio uninvited, hurling themselves against the windowpanes again and again, and buzzing at a particular pitch that keeps you from concentrating. Eventually you spend too much time trying to swat them, unsuccessfully, and getting more and more frenzied and unfocused.

Fl-eye view

Like most people, I know flies have those compound eyes which allow them to see what’s coming towards them no matter at what angle or speed, so that by the time they’ve swerved the blow of a rolled-up newspaper, they’ve had time to read the print. Ok, so flies are important pollinators, second only to the bees, but house flies, commensal with humans all over the world, spread food-borne illnesses. And they are an annoyance especially in some parts of the world where they can occur in large numbers, buzzing and settling on the skin or eyes. Did you know, and I’ve looked this up, that the fly’s taste receptors are in the labium, pharynx, feet, wing margins and female genitalia, thus enabling it to taste your food by walking on it?

Research on your behalf also uncovered this: the Sardinian cheese casu martzu is exposed to flies so that the digestive activities of the fly larvae soften the cheese and modify the aroma as part of the process of maturation. Banned by the European Union, the cheese was hard to find, but the ban has been lifted on the grounds that the cheese is a traditional local product made by traditional methods.  And why not? The sustainable food of the future is the insect.

Swat vase

Do flies, do insects, have much to do with the history and development of ceramics? Not as far as I know, this is just another long and rambling lead-in to my latest batch of vases out of the kiln. I think you’ll agree that the piece above has been influenced by fly-swatting.

Hello vase

From bird song to buzzing to mooing: more PCA ceramics at the Palais des Vaches in Exbury, where you can also see a unique coffee table made with tapering beech legs, the top being sealed, and hand painted with acrylics. Three layers of heat-resistant varnish ensure that hot mugs of coffee will not mark the surface, though coasters are recommended. The surface is easy to clean.  It could be described as a horizontal painting on four legs, and certainly you get a lot of pleasure from simply looking down on it and enjoying the colours

Unique PAC hand-painted table at the Palais des Vaches

Other work at the Palais includes this large sculptural piece:

Porthole vase

And to finish, a poem from childhood:

“Will you walk into my parlour?” said the Spider to the Fly,
“‘Tis the prettiest little parlour that ever you did spy;
The way into my parlour is up a winding stair,
And I have many curious things to show when you are there.”
“Oh no, no,” said the little Fly, “to ask me is in vain,
For who goes up your winding stair can ne’er come down again.” (Mary Howitt)

Ruby my Dear vase at the Coastal Gallery

Well, I couldn’t resist finishing off with John Keats:

“Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call’d him soft names in many a musèd rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!”

Eunice done me wrong

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Storm brewing over Ledbury

The consequences of humans evolving bipedalism from a body designed to walk on four, not two, legs, include the effort required to climb a hill without running out of puff. This is what walking up to Bradlow Knoll entails – back pain, breathlessness, and aching thighs, but the reward awaits, no matter what the weather: the view down to Ledbury and beyond, though it looked ominous and buffeted by winds.

Final hurdle

But it would be easier on four legs. The fact that it is a “knoll”, which means low hill or hillock, somehow adds insult to injury. It feels more like a smallish mountain, or at least a steep hill. What’s more, when you make it to the top you are ambushed by the fifty extra steps required once in the wood to get to the very top.

Two legs good

Bipedalism. It seems that thousands of years ago our pelvis shortened, the thighs became longer, the angle of the thigh bone changed to point inwards allowing the knees to come together under our centre of gravity, allowing us to stand for a long period without getting tired. The spine curved into an S-shape helping to support the head and creating balance. Oh, and we lost our body hair.

Moe

The disadvantages of standing on two legs?  More pressure put on our spine and on our knees. The vertical position of the spine makes it more prone to back injuries. It’s also much harder on the heart and its vessels to pump blood to the entire body. And the big heavy head our spine has to carry, no wonder we lose our balance and fall when we get older.

Bighead

In the case of Moe, my bedside table mascot, he can only stand upright if his feet are wedged at an angle behind the table, otherwise his head, being too heavy for the design, forces him to collapse. Who is Moe? Those of us of a certain generation may remember Larry, Moe and Curly Joe who had us laughing when we were six or seven. Not sure their vaudeville humour has survived with time, but there is a certain nostalgia seeing them poke each other’s eyes and indulge in slapstick. Click here for The Three Stooges .

Fingers – one of the benefits of bipedalism

On the other hand, walking upright frees the hands for carrying your important tools like your mobile phone, for social display and communication like when you feel the need to welcome or insult somebody, but, most importantly, for making pots out of clay – there’s no doubt that would be difficult on all fours. Having fingers also helps.

Eunice did it

The fragility of the human frame and what it has to put up with (stress, weight, temperatures, balance) leads me, of course, to ceramics. All this was uppermost on the day of the climb to the knoll. It was cold and windy but not yet a storm. That was to come a few days later in the guise of Storm Dudley, very much a milksop of a squall compared with his successor a few days later – Storm Eunice. Presumably the next one will be a male name starting with “F” – Fred, Finnegan, Fernando, Finbar? Well, while writing this, Storm Franklyn blew in and is at the moment playing havoc with the tree in the garden. The news says there’s another on the way, and it’s called Gladys. Dudley, Eunice, Franklyn and Gladys – sounds like a polite tea party at an old people’s home.

Large Block vase

 

Large Block vase stress fracture

It was Eunice who knocked over a big garden vase, but sometimes it is the potter who is the culprit, as in the case of the large block vase. By not allowing its thick stoneware time to dry slowly and completely, sections of it dried at different times creating stress fractures that only became visible after firing. It is now useless and will be relegated to garden duties.

Big Spring vase

Big Spring vase

Sometimes the fractures are made when the potter is manipulating the clay too much, as when adjusting a handle onto the body of a vase, which is what happened with this Big Spring vase.

Big Spring vase close-up

Still on the subject of bipedalism, cows have four legs, as is well known, but not feet. They have hooves – hard, good for long distances. Good in almost any environment except sharp rocks. Very little maintenance needed. I mention them because Arscott Ceramics will be exhibiting some work at the Palais des Vaches near Southampton opening on 18th March, in collaboration with the Coastal Gallery. More about that in the next blog, but if you are nearby on the day do pencil it in your diary.

Tendril vase at the Palais des Vaches

Why do cows have hooves? Because they lactose.

I wonder if at this rate we’ll get to Storm Zebedia this year? Anyway, keep well and don’t forget to pencil in the Equinox exhibition at the Palais, which is in Hampshire, and as everybody knows, in Hertford, Hereford and Hampshire, hurricanes hardly happen. So you’d be safe from the wind.

 

December, happy outcomes

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wintry

Strange things have been happening at the studio lately. Unexplained disappearances of ceramics, unfamiliar sounds coming from the ceiling, doors being left wide open at night and the kiln not firing on all cylinders. I decided to go for a walk up the hill to Frith Wood to blow away the cobwebs.

Storm Arwen

It was the usual steep climb up to Bradlow Knoll. The view was bathed in a wintry half-light but there was no wind as there had been these last few days with Storms Arwen and Barra which managed to blow a few trees down along the path deep in the wood. Barra (fair-headed) is named by Irish weather forecaster Met Éireann. Arwen is Welsh Celtic for “good”. The next one will be named Corrie, then Dudley, Eunice, Franklin, Gladys, and so on, according to a “name a storm’ project open to the public. What they all have in common is an ability to blow down trees and embarrass the big energy companies.

Fatball Slim

The only noticeable activity in the woods were the squirrels chasing each other up and down trees. One of their cousins lives in our garden and has been caught eating the fatball left out for the bluetits, but here in the Frith they seem to feed mainly on chestnuts. But I was too concerned with the studio to take in the flora and fauna.

I believe that I was so burdened by these thoughts that I went to bed that night and muttered the magical words that all potters do when they seek help; “hydrous aluminium phyllosilicates.” I fell into a deep sleep but awoke when I felt the presence of someone else in the room. It was, of course, St Spyridon, patron saint of potters, former shepherd and Bishop of Trymithous (c. 270 – 348), responsible for marketing at Peter Arscott Ceramics, who you may remember from a previous blog (passim December 2020).

Marketing strategy meeting

I knew it was him from the strange shepherd’s woven straw hat and the smell of sheep.

“This better be good”, he said, “you do realize I’m only for emergencies, don’t you?’

I nodded and told him about my worries. He rolled his eyes in a “seen it all before” way and took a cigarette out of a pouch and lit it, inhaling deeply.

“You don’t mind, do you? I really needed one after what I’ve just been through – a game of poker with Freud, Mohamed Ali and Mother Teresa, and they were fleecing me. Lucky you summoned me.”

Cecilia Colman, London

He blew the smoke up towards the ceiling, and continued:

“All your problems will be sorted by tomorrow. They are of little consequence compared with your pathetic marketing strategy however, which, despite my best advice, I see you have ignored.”

“The blog is still a little text-heavy,” I admitted.

“The more images, the lighter the blog. Vision trumps all senses; the human brain can process entire images in as little as 13 milliseconds.”

Taken aback as ever by the modern approach of this two thousand year-old holy man, I could only shrug and ask:

“So, how are things up in… Heaven, or wherever it you dead go to?”

“Fine, thank you. I’ve joined a club since I last saw you. It’s one for patron saints only, quite exclusive. We meet and swap stories. Why, last time St Blaise was telling us how he became patron saint of those with throat troubles after he cured a child who was choking on a fish bone.”

“Interesting. Anyway, you say the kiln will fire OK tomorrow?”

“Well, you might have to get an electrician for that.”

“Oh, I hoped you’d just snap your fingers and fix it.”

“I’m not a magician, you know, I’m a patron saint.”

“I’m disappointed.”

“I can get St Eligius to recommend one.”

“Who’s he then?”

“St Eligius? He’s the patron saint of electricians.’

“OK. Thank you. By the way, are you coming to the company Christmas party?”

“Er, no, I can’t. I’d be breaking the rules.”

“Covid?”

“No. We can only appear directly to one earthling at a time.’

“Ah,” I said, “but the other two guests will be Thelonious, who is the pottery pugmill, and Ziggy, who is the studio spider in charge of security, so strictly speaking …”

“Sorry, a spider is still an earthling.’

“OK.”

“I must go now. We’re putting on a Christmas panto and there’s a rehearsal.  Socrates will be surprisingly good as Aladdin, you know, and James Dean is playing Wishee Washee and John Wayne is Widow Twankey.”

Before I could ask him what part he was playing, he disappeared.

In the morning I had to face the inevitable accusations from my wife of smoking in bed and allowing sheep into the house, but as I entered the studio, I saw that the squirrel was running along its roof, which explained the unfamiliar sounds coming from the ceiling, and when I turned the handle of the door, I saw the latch was stuck, which explained the door always being open.

lost but now found vase

I went to the shed to get a screwdriver and saw in the shadowy depths along the bottom shelf all the “missing” ceramics that I had stored away and then forgotten during the Covid stockpiling. And when I opened the kiln to see the result of a glaze firing, I saw that everything was back to normal, the clock on my digital radio flashing away telling me that there had been a power cut which had gone unnoticed by me, which is why that previous firing had been a disaster. Good old Spyro – always right, in the end.

Happily just out of the kiln

One of the vases that came out of the kiln has some cheery colours that chime with the seasonal good wishes. By now in a celebratory mood, and in honour of St Spyro, I decided to do some serious research into a cocktail that might do the same.

a St Spyros – save the olive till last

To start with you need a bottle of Mastic Tears, a liqueur made from mastiha trees near Olympoi village, one of the mastic villages, on the island of Chios. It was given to me by my niece’s Greek partner, and I accept that not everyone has a bottle in their cellar. A generous slug in a tumbler, a smaller slug of sugar syrup, ice, some soda, a dash of orange bitters, a sprig of thyme and a black olive. I’m calling it a St Spyros. It’s quite interesting. The olive is particularly good at the end.

 

Peter Arscott Ceramics wish you all a happy Christmas. And If you live in or near Worcester, London, Chichester, Hove, Lymington or Cambridge and you are looking for that original gift, then why not drop in at the galleries whose names caption the ceramic images scattered throughout this blog?

Thelonious the Pugmill

Ziggy, Head of Security

Cheers. Here’s looking forward to 2022, and hoping it surprises us by bringing pleasure, gladness and delight. After all, the number 22 indicates that your angels have your back and are ready to help you in whatever way they can (apparently it is an “Angel Number”).

kalá Christoúgenna