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Bees are potters

As you can see from the view from Bradlow Knoll, it was a bright sunny day for a stroll up the hill. What you can’t see is the cool breeze blowing, which made it perfect walking weather. It may not have been a breeze exactly, it was a notch above that, maybe a gust – it wasn’t a waft, zephyr, breath, puff or flurry. It was strong enough to make the trees in Frith Wood whisper, a symphony overhead and a symphony of blue at your feet: the bluebells at their peak.

When you’re bent forward struggling up a hill, your nose is closer to the ground than usual. Which is how I noticed the first Solitary bee crawling out of a hole in the soil. They nest anywhere, and though they are called Solitary bees (or Mining bees) they live alone in burrows but close together in large groups. Not for them the collective work and pressures of the beehive, or the social structure of the honeybee. There are 250 or so species in the UK, including the Tawny mining bee, the Hairy-footed flower bee and the Queen bumblebee. If you find one on the ground looking exhausted, it’s because they need energy: give them a drop of water with sugar (and watch them drink it with their proboscis) and they’ll eventually take off and go back to work. And they won’t sting if you pick them up.

Acton vase – stoneware 46 x 40 cms

Why am I going on about bees and not about ceramics? Before Spyro (marketing) admonished me for not promoting ceramics, my bit of research showed that these ground-nesting bees were working with clay, shaping mud with their mandibles and waterproofing their chambers with waxy secretions millions of years ago. Bees have been master clay workers longer than flowering plants have existed in their current forms. In other words, these bees are ceramicists. They were working clay thousands of years before humans even thought of using mud to make a vessel.

Spyro, being a third century goatherd as well as a bishop (and patron saint of potters), and fond of goat yoghurt, is all for this blog mentioning bees because he loves to pour honey on his. Ziggy, being a spider and therefore a fly specialist, is indifferent.

Miner bee habitat

A brief digression: there are hundreds of Mining bee burrows on a grass strip along a road in Ledbury which for years has been sprayed with a (relatively safe) weedkiller in order to allow drivers a clear view of oncoming traffic. It’s the responsibility of a housing association which, when contacted, were very reasonable and understanding, and confirmed they’ll stop spraying, and may even start seeding it. A victory for nature. Oh if only we humans always listened to each other and acted rationally. Now we just need to apply it to the Straits of Hormuz.

Greater Stitchwort

Because it’s early Spring, the woodland plants are at their best, specially on the edges as you walk into the cool shade of the trees. Once deep inside the canopy, the bluebells and stitchwort take over. Mindful that being outside in the sunshine helps increase vitamin D, which gives your immune system an extra boost, walking through woodland is good for the senses, with different things to see, hear, smell and touch – just don’t touch the nettles, which sting in a treacherous manner when you are reaching in to take a snap of the other (prettier) plants. Not that I want to be unfair to nettles, April is the time to pick the tops off, ideally with washing up gloves. Once you put them in to boil the sting vanishes and you can make nettle soup. Here’s a link to a recipe.

Red signal vase

Talking of gloves, after a long session pounding and shaping stoneware clay (ungloved) for the latest batch of vases I noticed, not for the first time, that my hands felt very smooth for a day or two. Of course, we’ve seen pictures of people with their faces covered in mud, so it must be generally accepted that clay is good for the skin. Over time, I expect to be rewarded with skin that’s soft, smooth, and more radiant than ever. Next time you meet a potter, insist on shaking hands, just to test this theory, but don’t hold on for too long otherwise it’ll look weird.

Herb Robert

“Soft hands” implies that you do little proper work, so again, be careful not to tell a potter he or she has soft hands or they may take it the wrong way. Apparently it’s become a meme and is used to tease people with smooth, uncalloused hands by comparing them to someone who works 100 hours a day in a coal mine, showers in diesel oil, washes his hands in gravel and dries them with sandpaper.

I know we’re going off on another tangent but it can’t be helped. The Potter’s Hand by A. N. Wilson is a wonderful book about Josiah Wedgwood, master ceramicist, who embarks upon the now famous thousand-piece Frog Service for Catherine the Great, and includes Josiah’s nephew Tom’s journey to America to buy clay from the Cherokee for this project. He falls in love with a Cherokee woman who becomes involved in the masterpiece called the Portland Vase, which you can see at the British Museum.

Large listening vase – stoneware

To see a ceramic piece made by the fair and velvety hands of Peter Arscott Ceramics you can visit the Cecilia Colman Gallery in London, or the Palais des Vaches in Exbury.

Three legged imp vase

the art of commissioning

house spider with christmas hat

Ziggy the Christmas spider

painting of Pope Julius II by Raphael

Julius II by Raphael

photo of Rex Harrison

Rex Harrison

detail from Sistine Chapel

God & Adam

 

 

 

 

 

 

A commission in art was at one time only the privilege of the rich and powerful. Rulers and governments commissioned artists to design pieces that often glorified the kingdom or state. During the Renaissance, the Church became a regular patron of the arts commissioning such great works as The Last Supper by Leonardo Da Vinci, and of course, the most celebrated art commission of all time, the Sistine Chapel ceiling by Michelangelo, commissioned by Pope Julius II, a man who centuries later, as older belatrovians will remember, would be played by Rex Harrison in “The Agony and the Ecstasy“.

ceiling of Sistine Chapel

top commission

Commissions are all very well when it comes to painting and sculpture, we hear you say; what about ceramic commissions? Well, how about the ‘Frog Service’, a 50-person set intended for dinner and dessert made by Wedgewood in 1773 for Catherine the Great who bought it for her Gothic summer palace built in a frog marsh some miles outside St Petersburg, “Kekerekeksinky“*, would you believe – hence the inclusion of the frog motif.

The service was painted with 1222 views of British landscapes,antiquities and gardens. It cost £2,290 and was intended for occasional use, not for display alone. When the service was nearing completion, the bulk of it was put on display at Portland House in London, so as to show it to the English public before it was dispatched to Russia. At the present time the Hermitage collection includes some 770 items from this famous commission.

ceramic Wedgewood

part of the Frog Commission

As an aside, belatrova went to visit the Wedgewood Museum and returned as enthralled as ever by Josiah, a man of energy and creativity who along with others transformed society and kick-started the Industrial Revolution. He was born into a family of potters in 1730, at Burslem, Staffordshire, and his father’s death in 1739 led him to an early start working as a ‘thrower’ in the pottery of his eldest brother, Thomas, to whom he was later apprenticed. An attack of smallpox seriously weakened him and in 1768 he had to have his right leg amputated. This meant he was forced to abandon throwing, but he gained a wider insight into the potter’s craft, which led to experimentation. If you would like further insight into this world, belatrova warmly recommends a book by Jenny Uglow, “The Lunar Men”.

portrait of Josia Wedgewood by Reynolds

mezzotint of Josiah based on Reynolds painting. copyright National Gallery

Why are we telling you all this? Oh, yes… The Wedgewood Museum Trust. It became liable for the £134m pensions debt of its insolvent parent company and after a long battle to prevent the break up and sale of the collection, the Art Fund was given the chance to save the collection for £15.75 million. £2.74 million is still required by November to save the collection from being dispersed: 250 years of history, 80,000 objects – a unique visual archive.

belatrova lamps being made

belatrova commissions

 

Back to commissions. We would like to say that nowadays commissions are much more commonplace and accessible, and that vast fortunes need no longer be spent. Nobody need be a Medici to commission a belatrova birdbath, or table lamp, or platter. In fact, we have been busy fulfilling commissions as a result of so many visits during h.Art (Herefordshire Art week), so we thought we would remind you that with three months to go before Christmas belatrova is the place for that unique gift.

Just give us a ring at the workshop on +44 (0) 1531 634082 or send us an email (info@belatrova.co.uk) or visit our website: http//www.peterarscott.co.uk/dev – we are happy to talk to you about any idea you may have.

So long as it does not involve spiders.

There is one arachnophobe amongst us who finds it hard to deal with the creatures as they start to come indoors with the nights getting cooler –“all I want is a room somewhere / Far away from the cold night air…” they sing. It is impossible to determine in which direction they will scuttle and so they strike fear in the heart of this particular person, who will remain nameless.

Meanwhile, with a little bit of bloomin’ luck, we hope to see you when we open up the workshop over the weekends of November 29th and of December 6th.

* Kekerekeksinky was mistakenly thought to mean “frog” in Finnish, though if you try to pronounce it in a deep voice you will sound a little like one.