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Hereford, Hawkins and Hoople

Hereford Cathedral

“And Prince Eadric and the Welsh became hostile and they attacked the castle-men in Hereford, and did them many injuries. And here the king set a great tax on the wretched people …” (The Anglo-Saxon Chronicle, Worcester Manuscript 1066, pp. 200-201)

Illustration of a Welsh archer from the late 13th century

It seems that, right up to the Middle Ages, there were quite a few battles waged by the Welsh against the English in Hereford, which probably gave rise to many myths, and perhaps the most famous of these are the supposed laws about your rights to shoot a Welsh person with a longbow on a Sunday in the Cathedral Close in Hereford. A spokesperson for the Law Commission has confirmed: “It is illegal to shoot a Welsh or Scottish person regardless of the day, location or choice of weaponry.”

Church Street, Hereford

So, denied this right by law, I left my bow and arrow behind and drove into the city to deliver ceramics to the Timothy Hawkins Gallery – just a stone’s throw from the Cathedral, but it was a weekday anyway, not a Sunday. Church Street, where the gallery is, is a stone-paved lane that leads from the close to the main square, free of traffic, and with cafes, it is much used by pedestrians as a short-cut.

Timothy Hawkins himself is an artist craftsman who makes beautiful bespoke furniture, and the gallery is an outlet for some of his work, but also for others. Glass, textiles, metal work, ceramics, as well as wood, is on display, and after you’ve paid a visit, you can go and visit the Chained Library and the Mappa Mundi at the Cathedral before going to one of the fine pubs for a drink.

Signs and Wonders by Edmund de Waal. Photo by Hélène Binet

The main square itself is used as a market once a week, and I was reminded that many years ago a young Edmund de Waal used to sell his ceramics there when he set up a studio in the eighties. His work is minimalist and functional, but also sensual because, as he says, “of the knowledge our own hands hold when we make things”. Touch is important to him, as it was to another potter, born in Hereford, Simon Carroll.

Simon Carroll. Photo from Artforum 2014

Quite a contrast with de Waal’s work, Carroll’s is exuberant and risk-taking, and he was a whizz with glazes.

Hello vase at the Timothy Hawkins Gallery

Who else has Hereford connections? Well, three incredibly famous actors: David Garrick, Sarah Siddons and Nell Gwynn, Charles II’s mistress. And singer songwriter Ellie Goulding. And, of course, Mott the Hoople, glam rock band whose greatest hit was All the Young Dudes, written for them by David Bowie to stop them splitting up, which they were on the verge of doing – you of a certain age will enjoy listening to it again: click here.

Vase 54 at the Timothy Hawkins Gallery

And if any of you enjoy your sport, you may remember one if the greatest footballing upsets in FA Cup history when Hereford United beat Newcastle 2–1 in January 1972, when they were still a non-league side and Newcastle were in the top division of English football. Have a look at Ronnie Radford’s goal here.

JV11 at Timothy Hawkins Gallery

Historically, Hereford was once part of Wales (thus all those battles) and there is still a debate that crops up now and again as to whether the county would be better off as part of Wales and not England, to the extent that some believe that Herefordshire has become mecca for people from the South East and London to build their castles in their very own corner of ‘England’, to the detriment of Hereford’s “Welshness”, defined as infectious high spirits, combined with recklessness, generosity, and a ready wit (all of which Nell Gwynn had in spades).

the longest place name in Europe

Two English tourists are driving through Wales and visit the place with the longest name in Europe Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch (“St Mary’s Church in the Hollow of the White Hazel near a Rapid Whirlpool and the Church of St. Tysilio near the Red Cave”). They stop for lunch and one of the tourists asks the waitress: “Before we order, I wonder if you could settle an argument for us. Can you pronounce where we are, very, very, very slowly?”The girl leaned over and said: “Burrr… gurrr… King.”

Nell Gwynn as Cupid, an engraving by Richard Thomson, of a painting by Peter Cross.Samuel Pepys kept one on his desk.

Large figure vase at the Timothy Hawkins Gallery

Introducing Thelonius

image of belatrova products

slab pot and tables at the Courtyard

Before introducing you to Thelonius, belatrova would like to invite you to the Hereford Contemporary Craft Fair. Please come and see us and the work of 59 other selected makers of contemporary craft exhibiting over three days at The Courtyard (Hereford), where you can commission a piece of original work or buy direct from makers. It is open 10am to 6pm Friday 15th and Saturday 16th, 10am to 5pm on Sunday 17th November. The Courtyard has full disabled access and a café and restaurant that serve excellent locally sourced food and drink. Entry is £4 (free access for carers) and visitors can win a belatrova piece by just entering the daily Prize Draw at our stand by simply leaving their names and email addresses.

drawing of muscular right arm

belatrova’s mighty pugging arm

the arm used for lifting dry martinis

belatrova’s other arm

Now, Mrs belatrova has recently remarked on the amazing muscularity of Mr belatrova’s  right arm, and the strange contrast it offers when seen alongside his other rather weedier left one. This can be easily explained. It is the result of being right handed and having to thump the daylight out of lumps of recycled clay in order to “pre-process” it to get it to a smooth consistency before it can be used again.

In order to correct this imbalance, and to stop belatrova looking like a gangster with a bulging holster under his jacket, a decision was taken to invite a new member to the team who would take on the sole task of pugging.

image of pugmill

Thelonius’ first day at No 9

Allow us to introduce Thelonius Pugmill; he’s from Essex and has until now spent his working life at a school in Colchester.

A pugmill is like a large mincer or sausage machine with knives on the screw fan principle that cut and knead the recycled clay, pressing it out of a smaller aperture (3″), smooth and even in texture, and ready to be used.

Most pug mills require you to process the clay to get it to a relatively tight range of consistency before going in. Dry clay has to be soaked in a bucket and wet clay kept wrapped in a plastic bag so that it is just right for the mill. The clay is squeezed out in long tube shapes called “slugs”, which are carefully stacked and wrapped in plastic until required.

The following images will give you an idea of how it all works:

ready for pugging

a lump of clay

clay in a bucket

clay soaking

image of clay going into pugmill

the clay is fed to Thelonius

image of pugmill lever being used to squeeze clay

squeezing the clay through

image of clay slug coming out of pugmill

Thelonius makes his first slug

image of two clay slugs or tubes from the pugmill

voilá, two lovely slugs, ready for use

image of pugmill with Peter Arscott and Staurt Houghton

the team

If you want to follow belatrova’s progress via Facebook or the blog, and unless you have already done so, just click the tag at the bottom right of your screen that says “follow” and you will get notifications everytime the blog is updated with news. We will be opening at No 9 for Christmas – details in the next blog.