Anatomy of a fall

The view from Bradlow Knoll at 10 am New Year’s Day

Pottery is just an excuse to play with mud. The material used is really nothing more than soil clay that has been mined. Mud is wet soil. Roll a ball of moist sediment into a thin string – if you can, it’s clay. It’s generally accepted now that playing with mud allows children to connect with the natural world around them, and helps develop tactile skills, boosts creativity and imagination. And it’s fun and therapeutic. And I think this applies to adults too. Using your hands to shape clay into a vessel is an ancient practice that is fulfilling, and whole cultures are identified by their pottery, after all it is one of the oldest and most widespread of artforms. Pots say a lot about people.

New Year’s Day, old moon.

But as you well know, when it’s been raining a lot in the countryside, mud becomes an enemy not a friend, and you have to take it into account when you go for a walk, specially up and down a hill like Bradlow Knoll. In the early morning of the first day of the New Year, the sky was clear after the rainfall of a few days – weighing the pros and cons, and mindful of my duty to my faithful blog readers and seeing a pale waning moon beckoning in a blue sky, I decided the omens were good for a climb up the hill and a first photo of this year’s view.

Walk in the woods vase

However, the problem with walking on claggy mud is that you have to keep your eyes on your feet the whole time. One small lapse of concentration and can send your legs into the air, so you try to step on the least wet bits along the edge of the path, head down and unable to appreciate the surrounding landscape. Which is tiring and frustrating, specially deep into Frith Wood where the dark tree cover keeps everything as damp as possible, though there was a wintry sun low in the sky that you could glimpse through the trees.

I was not really enjoying my New Year’s walk. The mud was not fun and therapeutic, though maybe the worms were enjoying it; in one acre of lands there can be more than a million worms, so I imagined them partying underfoot. There is a stretch towards the end of the walk that is surrounded on both sides by brambles so it’s difficult to use the drier edges of the path. It was here that my concentration strayed because the birdsong was so unexpected and loud. I was trying to identify all the various songs (mainly blackbird, robin and bluetit) when it happened.

Some doctors  believe that one of the biggest benefits of mud baths is that they can provide stress relief. Sitting in warm, soft mud can relax the muscles and soothe the mind. They are also thought to relieve stress, joint pain, rheumatoid arthritis and certain skin ailments. Some people use mud baths simply to chill out. What I found myself in face down was not a warm bath of mud but an unrelaxing cold and slimy one that did nothing for my self-esteem.

It was a slow-motion experience in three stages. First the right foot slid backwards, and I thought I’d land on my right knee (no big deal, I thought, just a muddy knee). Second, because it was slightly downhill, my upper body was leaning forward enough to propel me further, so I stuck out my right hand to stop things getting any worse (no big deal, just a muddy hand, as well as knee). Third, my right hand made contact with the mud and slid forward all the way until the whole right side of my body lay obligingly in the quagmire. This happened in less than a second, but it felt very gradual – it’s amazing what your brain can be doing in such a short time: surprise (this cannot be happening!), anger (I showered and put on clean clothes an hour ago in honour of this New Year, and now look!), indignity (God, I hope nobody’s looking!), curiosity (all the birds have suddenly stopped singing, are they having a quiet laugh? Do birds laugh? I must find out), and finally disappointment and petulance (I was being so careful all the way, it’s just not fair).

I met two dog walkers further on, at a fork in their path, and wondered whether they’d heard my expletives. They looked vaguely concerned at my state, and I had two choices: either I let them go along my path to see if they too slipped in the mud or I recommended the alternative path ahead of them. The Devil in me lost and I told them how to best avoid my fate – it was my first good deed of the year. By the time I got home the sun was out again low in the sky and cast a long shadow, reminding me that we’ve already had our shortest day (22 Dec), and that seemed to put things in proportion, so I blamed my shoes, which have no grip and are inappropriate for walks.

guilty shoes

Somewhere in the Frith Wood is the mud imprint of yours truly. It will last until the next rainfall, then dissolve back to its natural muddiness. Mud is the stuff of creation, used to create Adam, so how come it’s used to tarnish people? Mud is thrown at people in accusation, a name is dragged through it, anything dark and confusing is clear as mud, a person who resists change is a stick in the mud. But we potters know better, which is why I hold nothing against it, other than, occasionally, my body.

architectural pieces drying.

And ceramics? (It’s about time you mentioned them, says Spiro). Well, yes, the new kiln is yet to be connected, so I have been making pieces that have not been bisque fired and sit around waiting in the studio, like the ones in the image above, and the set of Yoohoo vases below.

Yoohoo vases waiting for a bisque firing

Also waiting for kiln connection and bisque firing are various figures and pieces made by visitors to the studio. The lynx pictured is a favourite.

Lynx by Lisa Dearling

And finally, and given that these blogs always seem to refer to woods and trees: a man walks into Frith Wood and tries to cut down a talking tree. “You can’t cut me down,” the tree exclaims, “I’m a talking tree!” The man responds, “You may be a talking tree, but you will dialogue.”